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https://w.atwiki.jp/touhoukashi/pages/2322.html
【登録タグ 709sec. SOUND HOLIC W 天 -TEN- 曲 禁断の扉の向こうは、この世かあの世か】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/194.html
【登録タグ Alstroemeria Records Dolls I nomico 曲 神話幻想 ～ Infinite Being】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/970.html
【登録タグ SYNC.ART'S W 坂上なち 天河 -tenga- 曲 美里 運命のダークサイド 】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/naobe/pages/78.html
ネットワークに戻る RFC2616概要 HTTP/1.1 RFC6265概要 HTTP状態管理機構 パーセントエンコーディング（URLエンコード） URLで意味を持つコードと混同する日本語などのバイナリや特殊記号を16進形式にして、先頭に%を付加した文字に変換する。正確に言うと、非予約文字、予約文字以外を変換する。 項目 説明 非予約文字 ASCIIのコード範囲内の英字（大文字・小文字）、数字、ハイフン “-”、ピリオド “.”、アンダースコア “_”、チルダ “~” 予約文字 URIを表す符号。ASCIIのコード範囲内のコロン “ ”、スラッシュ “/”、疑問符 “?”、シャープ “#”、角括弧 “[”、“]”、単価記号 “@”、感嘆符 “!”、ドル記号・ペソ記号 “$”、アンパサンド “ ”、アポストロフィー・シングルクオート “ ”、丸括弧 “(”、“)”、アスタリスク “*”、正符号・加算記号 “+”、コンマ “,”、セミコロン “;”、等号 “=” name=%E8%8F%85%E7%9B%B4%E4%BA%BA UTF-8で、%E8%8F%85：菅, %E7%9B%B4 直, %E4%BA%BA 人 x-www-form-urlencoded(URLエンコード) POSTのフォームデータをエンコードする。%を付加する方式は、パーセントエンコーディングと同じ。パーセントエンコーディングの予約文字も変換している スペースは"+"に変換。Javaのソースを見ると、英数字、"-","_", ".","*"以外を変換する BASE64 Wikipediaより データを64種類の印字可能な英数字のみを用いて、それ以外の文字を扱うことの出来ない通信環境にてマルチバイト文字やバイナリデータを扱うためのエンコード方式 7ビットのデータしか扱うことの出来ない電子メールにて広く利用されている A–Z, a–z, 0–9 までの62文字と、記号2つ (+ , /) 、さらにパディング（余った部分を詰める）のための記号として = が用いられる 76文字ごとに改行コードが入る Cookie Wikipediaより クッキーを設定する際、どの要求に対してクッキー情報を送り返すのか、URLの範囲を指定する。 規定値は、クッキーを設定したサーバに対するすべての要求であり、対象を広げることも狭めることもできる。ただし広げる場合でも、トップレベルドメインより狭い範囲でなければならない。 またクッキーの有効期限は、通常はブラウザを終了するまでだが、指定した期限まではブラウザを再度起動しても保持されるように設定することができる。有効期限の情報も、サーバからブラウザにクッキー情報を送信する段階で付加される。 無期限という設定は出来ない。 詳細： http //www.studyinghttp.net/cookies リクエスト 全てテキスト。行(CRLF)で区切られる。 フォーマット リクエストラインは１行。ヘッダは複数行。 大項目 小項目 説明 リクエストライン メソッド GET,POST,PUTなどのどれか。 リクエストURL リクエストを処理するURI プロトコルバージョン HTTPのバージョン。【例】HTTP/1.1 ヘッダ HOST リクエスト先のホスト名。必須項目 空行 POSTのときにヘッダの終了を示すために挿入される メッセージボディ POSTのときにリクエストデータを出力する 【例】 GET http //example.jp/31/31-001.php HTTP/1.1 リクエストライン Host example.jp --+ User-Agent Mozilla/5.0 (Windows NT 5.1; rv 2.0.1) Gecko/20100101 Firefox/4.0.1 | Accept text/html,application/xhtml+xml,application/xml;q=0.9,*/*;q=0.8 +-- ヘッダ Accept-Language ja,en-us;q=0.7,en;q=0.3 | Accept-Encoding gzip, deflate | Accept-Charset Shift_JIS,utf-8;q=0.7,*;q=0.7 | Keep-Alive 115 | Connection keep-alive | Referer http //example.jp/31/ --+ Accept-CharsetでShift-JISの品質係数が１であるため、サーバは、Shift-JISでエンコードしたメッセージを返す。 POST http //example.jp/31/31-003.php HTTP/1.1 リクエストライン Accept image/gif, image/jpeg, image/pjpeg, image/pjpeg, application/vnd.ms-excel ヘッダ Referer http //example.jp/31/31-002.php Accept-Language ja User-Agent Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727; Inf oPath.1; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729) Content-Type application/x-www-form-urlencoded Accept-Encoding gzip, deflate Host example.jp Content-Length 65 Connection Keep-Alive Pragma no-cache name=%E8%8F%85%E7%9B%B4%E4%BA%BA mail=kan@aaa.jp gender=%E7%94%B7 メッセージボディ Hostヘッダ HTTP1.1では必須。POST/GETでのURIにHOSTを指定していなかった場合、Virtualホストを特定できない。そのためHostヘッダにHOST名を指定する。URIにホスト名があって、Hostヘッダにもホスト名がある場合はURIを優先する。URIにホスト名を指定することを強制すれば良いような気がするが。 Referer ヘッダの一種。リンク元のURLを示す。あるWebページのリンクをクリックして別のページに移動したときの、リンク元のページのこと。 改変、削除される場合があるので正しくリンクを示しているとは限らない。 セキュリティ上、問題となるのは、URLが秘密情報を含んでいる場合。たとえば、URLがセッションIDを含んでいる場合。なりすましに使われる可能性がある。 【例】 GET http //example.jp/31/31-002.php HTTP/1.1 Accept image/gif, image/jpeg, image/pjpeg, image/pjpeg, application/vnd.ms-excel, application/vnd.ms-powerpoint, appl ication/msword, application/x-shockwave-flash, application/x-ms-application, application/x-ms-xbap, application/vnd.ms -xpsdocument, application/xaml+xml, */* Referer http //example.jp/31/ Accept-Language ja User-Agent Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727; Inf oPath.1; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729) Accept-Encoding gzip, deflate Host example.jp Connection Keep-Alive http //example.jp/31/のHTMLのaタグからリクエストが発生したため、Refererヘッダがつく。 レスポンス 全てテキスト。行で区切られる。 フォーマット ステータスラインは１行。ヘッダ、ボディは複数行。 大項目 小項目 説明 ステータスライン プロトコルバージョン ステータスコード 1XX 処理継続、2XX 正常終了、3XX リダイレクト、4XX クライアントエラー、5XX サーバエラー テキストフレーズ レスポンスヘッダ Content-Length ボディのバイト数 Content-Type MIMEタイプ; charset=エンコーディング 空行 ヘッダの終わりを示す ボディ 【例】 HTTP/1.1 200 OK Date Wed, 04 May 2011 04 51 51 GMT Server Apache/2.2.14 (Ubuntu) X-Powered-By PHP/5.3.2-1ubuntu4.2 Vary Accept-Encoding Content-Length 20 Keep-Alive timeout=15, max=100 Connection Keep-Alive Content-Type text/html; charset=UTF-8 body 13 51 /body Content-type メディアタイプを示すエンティティヘッダ（メッセージボディに対する付随情報）。type "/" subtype *( ";" parameter )であらわされる。text/html; charset=utf-8など。charsetを追加すると出力の文字コードを示す。HTML文書にapplication/octet-streamを付けると、 多くの場合、Webブラウザはそれをダウンロードするか否か問い合わせるようになる。 Apacheの場合は、httpd.confの以下の設定でcharsetを指定する。 AddDefaultCharset UTF-8 Tomcatでは、JSPのpageディレクティブで設定する。 %@ page language="java" contentType="text/html; charset=Windows-31J" pageEncoding="Windows-31J" % http //www.atmarkit.co.jp/fjava/rensai3/mojibake01/mojibake01.html 参照
https://w.atwiki.jp/touhoukashi/pages/3950.html
【登録タグ A-One NAGISA S TOHO EUROBEAT VOL.8 旧地獄街道を行く 曲 華のさかづき大江山】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/2356.html
【登録タグ T カトウリン クラゲノボーン 曲 東方大丈夫 死体旅行 ～ Be of good cheer!】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/risentranslation/pages/31.html
12001Fucking beautiful innit it? 12002It s a...sword. 12003A sword? 12004A sword!? You see the way the light catches it? The way I blended the... 12005A fucking sword?! You re an arse. 12006It s beautiful... 12007Isn t it? Give it back to me now. You don t want to scratch that... 12008Sorry. I think I ll keep this. 12009Ha, right! Give it back... 12010I said...give me the sword. 12011You fucker, you planned this, you just wanted to sword to get to the Don. 12012You re going to regret crossing me. 12013Thanks...it has a good balance. Here you go. 12014Yeah.... 12015The Don is going to be one happy man when he claps his peepers on this. 12016About your farm... 12017The grain harvest is finished. 12018Good. It s reassuring to know that if we must die, we will not die hungry. 12019Here are a few coins. 12020Alas, Thomas is our problem child. If he worked as hard as he moaned, he d have completed the harvest long ago! 12021Perhaps he should reconsider his desire to be a mage. 12022The wolves in the nearby cave are dead. 12023It seems fate was kind to me, washing you to these shores. 12024Take this as a reward. 12025Tellur doesn t have anything for me to do. 12026He finished his work a while ago. 12027Ah yes, Tellur is our hardest worker. Two dozen of him and our problems would be over. 12028(Back) 12029What are you planning to do now? 12030If I can prove Cid was behind the burglaries maybe I can improve my standing in the Order. 12031But I doubt anyone would talk to me. The Don s men feel betrayed and the Inquisition are suspicious. 12032So, I need someone who doesn t have my baggage. 12033What about you? It would help this town no end if the burglaries were stopped. 12034I can pay you for your aid. 12035I m looking for magical items. 12036Who told you to come here? 12037I get it...none of my business. As it happens I do have some scrolls to sell. 12038Doyle s gone to the Order. He s turned himself in. 12039What? 12040He ll tell them everything! 12041What are you going to do? 12042If I stay I m in a sea of trouble. 12043I need to get away. 12044Yeah, I ll head out as soon as I can. Hope in the mess this town s become, I ll get forgotten. 12045Whatever happens, I m not letting the Order take me to the Monastery. 12046What can you teach me? 12047I keep my word. If you want, I ll teach you to be a good thief. 12048There s a man who s not been sleeping in the Gutter. 12049Nothing like the feel of a proper bed, eh? 12050That s 30 gold coins to you. For a decent kip, I d say that s a bargain. 12051You can pay Costa! 12052Job done. You needn t worry about those things in the excavation site any more. 12053You killed them? Right! 30 gold coins wasn t it? Worth every one. 12054Thanks...Pleasure talking to you. 12055Right. 12056I ll look forward to our next conversation... 12057Undead, vassal rings, what s in it for me if I solve your problem? 12058Everything I have. 12059And how much is that? 12060It ll be worth it for you, I promise. 12061It better be, seeing as I m risking getting myself cursed. 12062Care for some weed? 12063Not for me. My brain s full already. 12064Ich kaufe mir ne Info 12065Okay 12066What can you tell me about the town? 12067Well, there are 3 districts. 12068The Gutters here. That s the street above the harbour. 12069Farther down by the water is the harbour district. That stretches from the lighthouse to the warehouses and the prison at the end of the quay. 12070The rich bastards live in the merchant district. That s where the main gate of the town is. 12071So, are the rumours true? Harbour Town is free again? 12072Yes. It belongs to us now. 12073The Don ll be happy. Let s hope that means gold for the rest of us, yeah? 12074It s only control of the town that s changed. 12075Yeah, I heard there s trouble at the temple ruins and the Monastery. 12076But the Don ll sort it out, you ll see. 12077Looks to me like I m sorting things out, not the Don. 12078Don t you have any skins? 12079After all, you deal in them. 12080No, my stores are empty. The Don s men have helped themselves too many times. 12081My boys Pavel or Cole might have a lead. Maybe they know something. 12082Hey, Found any gold? I lost some around here? (Pickpocket) 12083Hey, Found any gold? I lost some around here? 12084Ha. Do you really think that it d still be here? Have you got any idea of the sort of people that pass by here? 12085Yeah. Looks like it s gone for good. 12086Berta s been pasturised. 12087Dead cow? Excellent. Then grab her skull and put it in Konrad s bed. 12088Then see me again. 12089Toni wants to steal something from the house. 12090Oh yeah? What would that be? 12091He has orders to retrieve an amulet, one of the Don s heirlooms, from the house. 12092Hmmm. What s so special about this amulet? 12093It s made of gold. 12094The island s awash with gold these days! Must be more to it than just the gold... 12095We turned the house upside down and no one found a gold amulet. 12096I think we need to head further north. 12097I ve got a bad feeling about the path to the east for some reason. 12098Why what s wrong with it? 12099Most of the gnomes tracks lead to the north. 12100It s strange, but from what I see here, it could well be that they are in cahoots with the Gyrger. 12101The gnomes are in cahoots with a monster? 12102Maybe it s just a coincidence. We ll find out soon enough. Keep going. 12103You...are the newcomer? 12104I m new here. 12105This recruit has been murdered... 12106What do you know of this? 12107Why do you want me to investigate this? 12108You think you are not up to the task? 12109How do you know I am? 12110Your manner and appearance...you aren t from this island which makes your presence illegal. It also means you are a survivor. I am surrounded by books and bookworms, I need...survivors. 12111I don t know what happened here. I don t even know any of the people here. 12112Then you shall be objective. Examine cold facts for instance... 12113This man was stabbed in the back. 12114And there is no sign of magic, which is why there is no reason for me to give personal attention to this case. 12115I have more important things to consider. 12116You have your task... 12117But I must know if this was a petty crime, or something more . Come to me when you have answers. 12118Nothing, I was sent to this room. 12119If you want me to investigate, where should I start? 12120Master Vitus will aid you. 12121Master Vitus can aid in investigating Hemlar s murder. 12122Nothing, I have just arrived here. 12123I heard you re short of new recruits, you ll have even fewer if this is how you greet them... 12124I am not accusing you. Your recent arrival means you have two qualities I need...you could not have committed this crime. 12125And you need to prove yourself here. You can start by discovering who was responsible for this. 12126Discover who murdered Hemlar. 12127I am ready to learn about the first Runic seal. (Requires 50 wisdom) 12128I am ready to learn about the first Runic seal. 12129You must be ready to use your life force to channel this magic. 12130Only then will you be able to reach beyond the protective barrier around the Runes. 12131You are not yet ready for this task. 12132I can feel it... 12133If someone doesn t silence the volcano, we are all doomed. 12134How can you silence a mountain? 12135Shouldn t you be asking how a mountain can talk? I d rather be on the mainland, away from here. 12136If the sea doesn t swallow you trying to get there... 12137Here is the armour. 12138Good. Then let us begin. 12139What does it say? 12140You this quick on the questions with everyone? 12141Or are you working with Romanov? 12142I ve got nothing to do with Romanov. 12143Like that is it? 12144Hmm...this shows that my father hid a large part of the gold he looted over the years on this island. 12145He s left a series of clues as to how to get it. If we can find them. 12146A pirate with buried treasure. Who d have thought it? 12147Might not be original, but no one s found it so far have they? 12148No, but Romanov s worked out what your father did. 12149Yes and I m damned if I m going to let him get his hands on the prize! 12150My father would have a fit if he knew I d let it fall into Romanov s hands! 12151Patty s father hid a valuable treasure on the island. Patty needs to find it before Romanov does. 12152Just read the damn thing. 12153I followed you across this island and dug this place up for you, didn t I? 12154You re right, you re right. I m a just a little jumpy. 12155Sure, just stop jumping down my throat. 12156I don t think you ve got much choice. Trust me, or don t. We ve come this far. 12157I ve heard the Don left a few possessions in this house when he fled town. 12158Oh yes? Such as? 12159Apparently he hid a golden amulet here. 12160We searched this place from top to bottom and found nothing. A gold amulet is the kind of thing you d notice! 12161Where did you hear that, eh? That shifty bastard Toni? 12162Don t listen to that lunatic. 12163Master, I have learned the principles. 12164Do you indeed? Then you won t mind a couple of little questions. 12165How do you prepare a Rune table? 12166By inserting the Rune stone. 12167What materials are needed for a scroll? 12168A prepared Rune table, a blank roll of parchment, a quill, and the ingredients. 12169Good. You have learned. 12170Do you have a problem with Erlan? 12171Problem? No, I merely caught him stealing. 12172I do not wish a filthy thief to taint my path to enlightenment 12173(About Harbour Town) 12174I have been working with the Warriors of the Order. 12175Law and order have been restored. 12176Good. You have earned a reward. 12177Did you know Ricardo isn t at his post at the swamp excavation site? 12178You telling tales now? 12179Just being helpful. 12180Well, unless you ve got orders from me, stay out of my business. 12181I heard you can supply writing materials. 12182Certainly can, but now s not a good time. 12183Why s that? 12184I m running low on stock at the moment. I have blank parchment, but no more quills. 12185Can you get one? 12186Hmm, I ll need a few things. Get me a bone and two... 12187No, wait... six grave moth wings. 12188Caspar will provide a quill in exchange for a bone and six grave moth wings. 12189What? How did you become a Master? 12190I m sorry, I did not mean disrespect. I wish you luck, Master. 12191Why don t you just run for it? 12192Once you ve listened to those noises in the shadows, you ll be glad of a secure place to sleep. 12193It s no fun in there. But it s not fun out here either. 12194Even if I did make it to Harbour Town, the Inquisition d just bring me right back here again. Not many places to hide on an island... 12195I don t really have a lot of options. 12196Hey. 12197Hello. I m Finn. 12198You don t happen to have any work to offer? 12199No I don t. 12200Drat. I ve combed every corner of this place. This town is a mess. 12201There are so many people here now. And they all want jobs. Even Flavio can t give me work. 12202You re hiding. 12203Hiding from whom? 12204There s a world of difference between hiding and being discreet. 12205You think the Don is losing control? 12206He s... a complicated man. 12207The Inquisition s takeover of Harbour Town shook him up badly. 12208All we ve got is this place. And it s fragile. Especially at the moment. I really don t need someone stirring up trouble. 12209From what I hear Harbour Town s dangerous. You should think about protection. 12210The Warriors of the Order give me all the protection I need. 12211They can t be everywhere... you just have to see the crime in this town to see that. 12212Oh. I get it. You re from the Don s men. Here to lean on me. 12213You thought, ah, the butcher, he ll be a soft touch. 12214I want to fight you again. In the arena. 12215Is this just a fight, or more of an official date? 12216And now you want me to find these splinters? 12217You must find them. Then you can cast the spell. Release me and learn the secrets you seek. 12218If this is really ancient magic...wouldn t I need something else to cast this spell? 12219The splinters, the soul splinters and the voice of another, anyone but me, is all the spell takes. 12220I think the Gods intended that as their final insult, trapped alone needing only the word of another to set me free. 12221Take the soul splinters from Ursegor s three servants - /r/nZul Utur, /r/n the priest; /r/nZel Zerat, the animal; /r/n and Zal Zaran, the guardian. Use the power of the soul splinters to set Ursegor free. 12222Why haven t you returned to the Monastery? 12223Believe me, if you saw Master Abrax when he was angry, you d think twice too! 12224I ll keep an eye out for Krayban. 12225In the meantime, give me your plants. 12226Why, do you want those? 12227Do you want to collect the rest of them? 12228Good point. I ll gather up a couple of things and be on my way. 12229And for pity s sake, keep to the path. 12230Sonstiges - Kapitel 12231Kapitel 3 -Titanentempel in der Krypta 12232Hoshi Kapitel 2 12233Kapitel hart setzen 12234Zuruck 12235Kapitel 3 12236Es ist jetzt Kapitel 3 12237Kapitel 4 12238Es ist jetzt Kapitel 4 12239Kapitel 2 12240Es ist jetzt Kapitel 2 12241Startbedingungen Carlos ch3 verlasst die Stadt 12242Runscript OnQuestRunning_InquisitorLeavesPlayer 12243Kap 3 vor dem Titanentor 12244Kapitel 2 Vor dem Titanentempel (Player hat alle Scheiben in der Tasche) 12245Kapitel4 Start 12246Kapitel 3 Titanentempel vor der Zugbrucke 12247PERMITTED setzen. 12248Kapitel 3 Titanentempel vor dem Haupttor 12249Kapitel 3 Titanentempel nach dem Jagdtrupp 12250(Zuruck) 12251Sektor Echsenjagdtrupp aktivieren 12252Where can I get a better weapon? 12253Depends on what you re after. 12254Some swear by a good blade. 12255Others prefer the heft of an axe. 12256I m a hunter, so I favour a bow and arrow. 12257I ve got a couple of nice specimens here, actually. 12258For the right price, I m sure I could part with one or two. 12259It looks like the raid s over. 12260They ll be back. These things ve been coming up like termites. 12261You did good work. 12262No problem. If there s anything else... 12263Just help us do whatever is necessary to make the attacks stop! 12264Do you have a quill or any parchment? 12265Of course. Check in with me every now and then. Blank scrolls always sell well. 12266And if you need a quill, I have one in stock. 12267Thanks that could be handy. 12268Master Illumar s test, huh? You know what... I ll give you the quill for free. 12269Thanks. 12270Just make sure you buy the parchment from me, okay? 12271Costa has no gold to pay with. 12272The Order has it. 12273You gave the gold to the Order? 12274You d better think about getting yourself a bodyguard... 12275What are you planning to do now? 12276I ll have to go and explain this mess. 12277And you can piss off back to whatever hole you crawled out of. 12278A man like you has clearly seen some action. 12279Well, you know, I don t like to boast, but I ve crushed a few heads. 12280If you want to eat here, you have to work. 12281You want a free ride, try those White Robes at the Monastery. 12282They ll give you a free ride all the way to their excavation camps. 12283And keep your paws off other people s stuff while you re here or you ll lose your paws. 12284About Cid s spy... 12285Have you talked to everyone who had their houses burgled? 12286Not yet. 12287Well, I think that s your place to start looking for Cid s scout. 12288You ever have any problems with the locals? 12289Locals? They give you any trouble you just smack them around. 12290Or you could try talking to them? 12291The whispers have been getting worse. 12292You listen to them, you re going to end up undead. 12293I couldn t face that. I hate not sleeping, what would not sleeping ever again be like?! 12294And without any sleep I don t have the strength to fight it. 12295What s in it for me? 12296Let s be clear. You belong to the Monastery. I am the Don s man. 12297Yet you want to help me. You must have your reasons. 12298But we won t work together again after this business. The Don wouldn t like that. 12299I ll pay you decently and even toss in a couple of mana potions. 12300I can t do more than that for you. So, think about it. 12301Interested in some weed? 12302Erm, ah actually I d better not. 12303Where can I find... 12304... Baxter, the bookkeeper? 12305Next to the butcher s shop. 12306He runs the books for the business. 12307... Flavio, the fur dealer? 12308Up in the Gutters. His house is right next to the Shrine of the Holy Flame. 12309... Nelson, the cartographer? 12310His place is on the way to the Gutters. 12311Just go up the stairs from the harbour. 12312Good luck, I ll speak with you later. 12313All right, here s the list Dorgan had. 12314You re smart. Were you smart enough not to tell anyone else about this list? 12315Only Rachel. 12316Rachel? Are you fucking crazy? Are you out of your little fish mind? 12317Calm down. You ll burst something. 12318You d better hope I don t get any trouble because of this... 12319Seems to me you re still alive. 12320You d better have a long hard think about whose side you re on, little fish. 12321I didn t tell anyone. 12322And it ll stay that way if you know what s good for you. 12323Where do you think I can find a buyer? 12324If I knew I d ve asked them myself...maybe the harbour? The tavern? 12325You could ask the fishermen. At least they know about fish! 12326I hope his men follow the Don into town soon. 12327Got to be more trade for us if they re back in charge. 12328What s in it for me if I come up with the skins? 12329You want to be paid for your work? 12330I don t have much. I can offer a few arrows? And you ll make some friends. 12331There s something else. 12332Yes, what is it? 12333Master Cyrus wants to have the special artefacts immediately. 12334I m supposed to take them to him personally. 12335Those are important pieces you re talking about. 12336How can I be sure you won t run off with them? 12337What happened to trusting people? 12338Distrust comes with experience. Why should I trust you? 12339...Black swordfish. 12340What the hell are you talking about? Is that today s lunch? 12341Big Dog. Big Dog. 12342And what s that supposed to be? A password? 12343Some damn mage speak, eh? 12344...Cyrus sent me. 12345I know. So? 12346So, he ll rip my head off if I come back empty-handed. 12347Ah, now that sounds like Master Cyrus. 12348Fine, I ll trust you. You d better take the artefacts to him before he gets nasty. 12349So. You won t let Tilda into your house? 12350Did she tell you that? The old witch. I give her food and room, and all she does is whine. 12351She does like to talk. 12352Right! You know what some women are like! 12353Today, I let her sleep under my roof, tomorrow she takes away my business! 12354People say I m single because women don t want me...I m just wiser than that, wiser! 12355Why don t you just let her sleep inside? 12356It s no business of yours who I let in my house. 12357Have you heard of any discs, Crystal Discs? 12358I ve heard of many things. Perhaps I ve heard of these discs. 12359Help us and I ll tell you more. 12360Balturo the pirate knows something about the Crystal Discs. Help Patty and he might reveal what he knows. 12361Here. This seems to be the Don s amulet. 12362Well, would you look at that! 12363And the boys said they d gone through everything... 12364Right. I ll take it from here. 12365Have a few gold coins for your trouble. 12366And tell Toni his prize has been snatched from under his nose! Maybe he ll stop his skulking about. 12367About Brogar... 12368I heard that Brogar was supposed to take care of the workers. 12369Brogar takes care of himself. 12370That s nothing new, and won t help you much at the moment. 12371Brogar s fighters are staging fights in the arena, would the Don approve of that? 12372You d have to ask Rachel. But it might be something you can hold against Brogar. 12373You could use it to stop Brogar. If you challenged him to combat and won... 12374That would embarrass him in front of everyone. But it wouldn t be easy. 12375That s an understatement. 12376Well, you started on this path. Every man chooses his destination, where are you going? 12377Whatever happens, I ll need to train. 12378A man needs skills. 12379And with the path you ve chosen, you ll need more skills than most. 12380I defeated Brogar in the arena. 12381I did hear that! That must have been some battle. 12382Now keep the pressure on him. You re getting close to nailing the bugger. 12383Brogar s demanding protection money from people and wants me to collect it. 12384Hmmm, you need Brogar on your side...but you don t want to end up like Dorgan. 12385Dorgan? 12386Dorgan was the last one to collect protection money for Brogar. 12387Now he s disappeared. 12388Dorgan is dead. I found him in a cave. 12389Well, protection rackets aren t known for being safe things to get involved in. 12390It looked like wild animals had killed him. 12391Be careful. You don t want to end up like that... 12392Thanks...that advice isn t exactly easy to follow... 12393I found this note in Dorgan s pocket. 12394That s a handy thing to have, dangerous too, if certain people discover you have it. 12395I found out Brogar is collecting protection money, here in camp 12396That d be his style. What a bloody evil thing to do. 12397But it s good information. You might be able to use that...at the right time. Be careful. 12398How does Rachel feel about him? 12399She s soft. 12400Brogar bullies her. 12401And she s like that even though the Don s behind her. 12402There is no way I can beat Brogar with this useless equipment... 12403If you re after a better blade, Oscar the smith will sell you one. 12404If that fails you ll need another line of attack. Magic. 12405Try talking to Rhobart, the Swamp Farmer... 12406He knows about magic and as he s outside the camp, people won t hear you re buying stuff. 12407(Back) 12408Who knows about Brogar? And wouldn t mind talking to me. 12409Talk to Luis. One of my hunters. He knows a few things, more than you d think. 12410Start with him, see what he says. 12411Word has it that Brogar wants to replace the Don. 12412That much is obvious. There isn t a man in the place who hasn t worked that out. 12413But it s not something anyone says out loud. Words can get you killed. 12414You might cut his wood, but I don t want to end up as Brogar s lackey... 12415What does he want you to do? 12416He wants a haunch of meat. 12417Do it. Get it for him. 12418Why should I feed him? 12419If you want to get in with Brogar, bring him what he wants. 12420Make him trust you, but show him you mean business, that you can be an asset to him not another slavish camp worker. 12421If he thinks you re clever, and that you can t be bullied, he ll take notice. 12422Brogar s hold on the camp isn t as strong as he thinks it is. 12423Maybe. But he s not stupid. And he s certainly not weak. 12424You defied him. Don t expect him to take his eye off you now. 12425Be very, very careful, my friend. 12426I am ready to understand the third Runic seal. (Requires 150 wisdom) 12427I am ready to understand the third Runic seal. 12428Your life force grows stronger with the wisdom you have sought. 12429No, no, you cannot yet channel the knowledge, the power you will require, return to me later. 12430So, you re a hunter now? Not surprising. You ve got that hunter look about you. 12431Was that a compliment? 12432I don t do compliments. Just facts. Miserable things that they are. 12433I ve opened up a way out. 12434Really? Thanks! I ll be sure to watch my footing next time! 12435Here, take this. It s a bust I found down here. 12436There are some distinctive notches on the base. 12437I think it must be part of a mechanism. Might come in handy someplace further inside this temple. 12438Well, I ve had more than enough excitement for one day. 12439I m out of here, you coming? 12440Hey! What are you doing? Are you following me? 12441Why should do that? Do you have something to hide? 12442No, no. Not me. Not me. I m just going to get a drink. 12443Why do you think the Don should run the town? (Pickpocket) 12444Why do you think the Don should run the town? 12445He comes from here. He cares for the people, for this island. Those outsiders wouldn t care if this island was washed into the sea. 12446Will you fight me in the arena, or not? 12447Looks like it, doesn t it? 12448Defeat Kato in the arena. 12449Do you know any of these artefact smugglers? 12450I d bet this tavern that the Don s men are behind it. 12451They usually are. 12452But maybe that s just talk too. 12453You must know someone who deals in artefacts? 12454Ask that guy over there. His name is Dytar. 12455Been trying to sell his special merchandise for days. No luck. Poor sod. 12456Good job, sweetie. 12457That bastard, Erikson, had it coming! 12458What is it you do here? 12459I am in charge of the artefacts. 12460I see everything our recruits bring out of the ruins. Everything. These are the key...the key to finding out why the ruins rose up from nowhere...to explaining the storms...it s important work. 12461Any magical items must be brought here, they must be processed. 12462And if I go will you give me a magical item? 12463No. 12464Not even a little one? 12465No. 12466You have one already. Aren t you satisfied? 12467Why should I give something to you? You have done nothing for me. 12468Aktiviere alle Torwachen! 12469Alle Wachen aktiviert! 12470Do you look after the wine cellar? 12471I have the noble title of Mage s Cellar master . 12472I received the wine cellar key from Master Ignatius himself. 12473Your brother Olf is alive and kicking. 12474You re a good one. Thank you. 12475Once we get out of here, I ll reward you for your troubles. 12476I know what you think of the Inquisition...What do you think about the Don? 12477I ve known Esteban for a long time. He s a good man. 12478Keeps his word and there are few men I know of who do that. 12479Least of all honest men like the Inquisitor. 12480Or join the Order and believe your soul will be saved by a flame. 12481So, where do you come from? 12482Am I from the island, you mean? 12483No, I landed here with a friend called Carlos. 12484Sei mein Lehrer! 12485Kein Problem. Ich bin jetzt dein Lehrer. Sag Bescheid, wenn du was lernen willst. 12486Hey, you killed Berta! 12487I d keep quiet about that if I were you! 12488You lousy cow killer! What am I going to do for a job now? 12489That s not my problem. 12490Cow murderer! 12491Beating Kato is a big thing. You have come on a long way. 12492I m glad you did it. He needed taking down a peg. 12493He s not the friendliest man I ve met. 12494Careful he doesn t bear a grudge. 12495You think he s the sort? 12496Kato s the sort who always wants revenge, but he won t tangle with you again. 12497He ll leave that so someone stronger. Aric is my bet. 12498I defeated Master Aric. 12499Wow. Well done. 12500Master Aric has challenged me. 12501Ready to reap the whirlwind? 12502What will Master Aric do? 12503But, Kato is Aric s friend, so he might even challenge you himself. 12504In which case I ll have to beat him. 12505Aric s not an easy target. He s affable enough on the face of it, but he s able to take care of himself. 12506How much to let me in? 12507Hundred gold coins. 12508But, you can t come and go as you like. 12509Once you re in, you re in. 12510I have found the Projectile Crystal. 12511Very good, now I can instruct you. 12512The mages won t leave the Flame. They won t come with you. 12513We have enough strength to deal with this ourselves. 12514One will, you came to be by my side. You realise what must be done. 12515You there. You d better not be a looter, or a vagrant. 12516I m not. I have a letter of recommendation from Commandant Carlos. 12517Sure you do, sure you do. 12518Oh... You do . Well sorry, can t be too careful. 12519We ve had all types trying to get in here. 12520I have read all the books. 12521Yes, I see truth in your eyes. 12522You have gained the knowledge you seek, but there is one more step. 12523To join the Convocation you must first obtain a Crystal 12524Have you heard anything about Crystal Discs? 12525Are they some kind of artefact? 12526Yes. From the ruins. 12527Haven t heard of them. What do they do? 12528Your father got around the island quite a bit. 12529You think he could have found them, buried them with his treasure? 12530It s possible. If he saw them and they re shiny he d have taken them, but you re going to have to help me find what I want, for you to find out, aren t you? 12531Maybe. 12532Patty says it is possible her father found one of the Crystal Discs and buried it with his treasure. 12533Why don t you sell the store then? 12534Do you want it? 12535Why would I want a fish stall? 12536See! That s what I should have said to myself. 12537But that wench was so very beautiful. 12538Who is Master Ignatius? 12539Look. I can understand all the questions. I had them too. 12540But like Master Pallas told me, everything in good time . You ll learn about Master Ignatius soon enough. 12541So, just relax, look around. Be safe in the knowledge that nothing s trying to eat you in here. 12542It is done. That which was divided is one. 12543Here is the armour. 12544Good luck with the task that lies ahead of you. 12545What happened to you? 12546I m an idiot! 12547I was working on the wall with my pickaxe. Hacking away like a madman, I was. 12548Bit of the wall came down, went to dodge it and fell through into here. 12549Idiot, idiot I am. 12550Have you any weapons that are any good? (Pickpocket) 12551Have you any weapons that are any good? 12552Any good? Any good?! I have the best weapons you ll find on this whole island! You won t find any better! 12553Welcome, Captain. 12554You need a staff, lad! Large wooden thing? Ring any bells? 12555And who are you? 12556My name is Enzo. I too am a seeker of knowledge. 12557Found any yet? 12558Indeed. The books are very illuminating. You will learn much from them. 12559Books, knowledge. I ll remember that. 12560And I also advise you not to try entering the Holy Hall if you do not have permission. 12561Why? 12562Do you see those guards? Well, their fists are what you get if you re lucky. If you re not, you ll get that and punishment detail. 12563I strayed and now I must sweep the floors instead of studying. 12564Well, maybe you ll find enlightenment in that? 12565You think so? Really!? Then I must devote myself harder to it. 12566Scordo has Harbour Town ready for revolt. 12567He s just waiting for a sign from you to attack. 12568Ha! I knew it. That is good. 12569That is very good. 12570Did Scordo say anything else? Give you anything else? 12571Was soll ich tun? 12572What can you teach me about hunting? 12573Bow 9 12574Bow 8 12575Bow 3 12576Bow 1 12577Can you teach me about archery? 12578Bow 2 12579Bow 7 12580Sneak 12581Moving quietly is about balance...put your feet down toes irst... 12582Watch where you re stepping... 12583Brush and twigs underfoot can be noisy, give you away. 12584So move slowly and watch your path. 12585(Back) 12586Dexterity +1 12587Dexterity +5 12588Bow 5 12589Bow 4 12590Bow 6 12591Bow 10 12592I ve heard that you trade with novices. 12593I do, but visitors have been rare lately... 12594What are the names of your men in Harbour Town? 12595No, no, I don t trust you well enough for that. Go to the town you ll find them. 12596And if you don t and you are captured, without names there is still a chance they can stay free. 12597I won t put my men in danger. 12598Someone in Harbour Town is working for the Don. Locate and talk to them. 12599Well, who do we have here? I don t recognise you...Looks to me like you re a vagrant. 12600And vagrancy... that s illegal. 12601If you can t give me a good reason why you are here, you will be recruited! 12602Couldn t I pay a "fine"? Some gold to be paid to the guard? 12603A guard of the Inquisition cannot be bribed! 12604Of course not. 12605Cannot be bribed! 12606All right. Calm down! 12607I volunteered, I m already enrolled at the Monastery. 12608Is that so? Well, we ll ask Master Pallas about that. 12609I ll take you straight to him! 12610Very well then...take me to your leader. 12611That s Master Pallas to you. 12612Recruited? For what? 12613By order of the Inquisitor, all men and women are to gather in the town and remain there. 12614Anyone caught outside the walls of the town is to be locked up immediately. 12615And all prisoners are to be trained as recruits for service in the name of the Inquisition. 12616I m here on the Don s business. 12617I know the Don s men. Everyone does and you re not one of them. 12618I haven t been here long. 12619Which makes you a vagrant! And vagrancy is illegal! 12620Tell me about your gold. 12621Who says I have any? 12622Pretty much anyone who mentions you, mentions gold. 12623You live on rumours, you might as well believe fairytales. 12624Tell me more about your homeland. 12625I no longer have a homeland. It has all been destroyed. 12626That s why I joined the Inquisition. 12627We re trying to save all we can. If we fail, eventually the whole world will be destroyed. 12628I can believe it. I ve seen it happening. 12629I ve seen whole islands vanish into the sea. It ll happen here if we don t do something. 12630What s going on in the Monastery? 12631They say they do training, but everyone knows they enchant people up there. 12632Enchant them? 12633A couple of the boys they took are back in town. 12634Before, they didn t take the law seriously. Now, they blindly follow the Inquisitor! If that s not enchantment, you explain it! 12635Maybe they re weak minded. 12636That s what you say. But I m telling you the Inquisitor has ways to make you obey. 12637And once you enter the Monastery, you re at his mercy! 12638Maybe they changed their minds? 12639You might be able to change my mind with a couple of gold coins, but what the Inquisitor did with them... 12640I m telling you, he used magic on them! 12641Steelbeard has a shack here in the town. 12642You sure? 12643Vasili told me. 12644Hmm. Patty better not get wind of it. 12645I don t entirely trust Vasili not to get drunk and blab his mouth. 12646He s meant to be watching Patty. But he d like to do more than watch , I ll bet. 12647Master Belschwur has given me his blessing. 12648Indeed, Master Belschwur thinks much of you. 12649So, take this recommendation from me. 12650You have earned it. 12651The Warriors of the Order will allow you through now you have my permission. 12652Go to the Monastery. 12653There, you will be asked if you will choose the path of magic, or the path to become a Warrior of the Order. 12654You choose your own fate. So choose wisely. 12655I wish you good luck. 12656That s a good wolf. Did you find something? 12657The Rune Table. 12658The Rune table is a powerful tool... 12659blah, blah...blah, blah 12660Here s something 12661To prepare the Rune table, place the desired Rune in the device... 12662There, that s it. 12663Erlan didn t know the turkey belonged to you. 12664If he s really sorry, he should buy me a new turkey and all will be well. 12665I m afraid none of the fighters will come to help you. 12666Ah, yeah. I thought so. 12667For fighters they re aren t very keen on fighting. Thanks for trying though. 12668Do you need a new staff, Master? 12669Here. Have a swig of this. 12670Beer? You ve got beer!? 12671Man alive, that s good stuff. That s like water to a dying man that is. 12672What sort of work do you do? 12673Anything. Anything! 12674And where do these antiques come from? 12675Inheritances, grandmother s mantelpieces and farmer s hideaways... 12676A man gets caught selling anything illegal, trading artefacts he gets in trouble... I deal in antiques ... 12677Who do you think is lining their pockets? And what would happen to them if you knew who it was? 12678He d be dead. Esteban s not a forgiving man. 12679So, it seems. 12680So, do things have to get nasty? 12681Ha! Hurt me, he says. Come on! 12682Defeat Dargel in combat. 12683You going to talk to me a bit nicer from now on? 12684Fuck off. 12685When did you last see Krayban? 12686In the forest, just before we split up. 12687And when was that? 12688A couple of days ago. I don t know exactly. 12689So, you haven t always been here in the swamp? 12690Nah. We used to have the whole of Harbour Town until the Inquisition came. All their magic and robes and stuff. 12691They pushed us out here. 12692Between you and me I think the Don s pride took a bit knock. He hasn t been the same since. 12693Most folks hate this place. But I like the fresh air, new things to hunt. Always felt too cooped up in town. 12694戻ってきたのね! 12695ああ、そこらへんを見てきた。 12696何か見つけた? 12697Well, there are people on this island. But they seem to live by their own laws. 12698And there are things going on around here that I don t fully understand. 12699That s the impression I got...this is a strange place. 12700Thanks for letting me know. I think I ll stay around here, I m not ready to deal with people, particularly not the Inquisition right now... 12701Before I forget, I found this potion. 12702I kept it in case you came back. I m guessing your need is going to be greater than mine. 12703Now, I hope I can find somewhere better to camp than this horrible place. 12704Ah...Telekinesis... The power of thought can move matter... 12705... Allowing a mage to move objects towards them from a great distance... 12706... switches and levers which are far away can also be activated... 12707That s something to know.. 12708What s the Order doing about the Don s men? 12709They stop us where they can. Since they came here with their fancy white uniforms, they ve never taken their eyes off us. 12710They re just waiting for us to step out of line then they ll take us to the Monastery. 12711Keep your eye out for Sebastian. He s always around, watching. 12712I m looking for new weapons. 12713Looking is for losers. 12714Paying gets you the goods. 12715Whose houses were robbed? 12716Nelson the cartographer, Flavio the fur dealer, and Baxter the bookkeeper. 12717You should talk with each of them. 12718Their statements could be the key to bringing Cid to justice! 12719The houses of Nelson the cartographer, Flavio the fur merchant, and Baxter the bookkeeper were burgled. 12720Hey. 12721What do you want? I haven t done anything! 12722That s quite a guilty conscience. 12723No! I just... I thought... 12724Thought what? 12725That you were one of the people who doesn t want us outsiders here. 12726They say we re thieves. But we aren t. The Don s rabble are the thieves. 12727The Inquisitor is seeking to control the Titan. 12728Given the choice of such power... 12729There are few who could resist the temptation. 12730Then we can only hope he succeeds. That he can control the Titan and use it to fight the others. 12731He will fail. No one is capable of controlling a Titan without the help of the Gods. 12732Then the island will be destroyed? 12733Not if you stop this man. 12734The Titan too can be stopped. 12735After all this is its prison. 12736You controlled the Titan, can t it be controlled again? 12737The influence of the Gods was strong then. 12738Now the Gods have left this world. 12739タイタンに命令できる者は居ない。 12740ここに税を課してるのは誰だ？ 12741Donだ。 12742誰だって？ 12743Don。 12744そうか。 12745Come on, what are you really doing out here? 12746Okay, okay... so I m a treasure hunter, seeker... 12747I heard that the ruins are full of ...stuff and so I set out to get my share. 12748I even got myself a shovel and a pickaxe! 12749Here s someone who looks like he needs help. 12750And here s someone who is going to be disappointed. 12751There, we fought...now tell me what I need to know. 12752You got the town back. Hoo-fucking-ray. What do you want? 12753I m here about the deal with Flavio. 12754Flavio? Tell him I still don t have the goods. 12755And I ll only take the complete delivery. 12756Baxter wants 5 wolf skins and 5 boar skins. He will only buy goods in these amounts. 12757Then find them. No skins, no deal, it s a simple equation. 12758So, what do the mages think about you trading their wine? 12759They don t mind. They have other things to worry about. 12760The future looks rather grim, as I see it. So, why not crack open a bottle or two? 12761So, if you ever need it, I can slip you a couple of bottles. 12762Thanks. I ll remember that. 12763Yes, and, uh, if you need special abilities, shall we say, I m you re man. 12764Ah, I see we have a new, little law breaker in our midst. 12765Law breaker? 12766Well, no matter what you ve done in the past, you ll get a clean slate here. At least for now. 12767Grab a staff, and get back here sharpish. We ll soon have you bruised and battered like the rest. 12768Find a staff and report back to Master Aric. 12769So, before you think about testing me or disobeying my orders... 12770Consider how much you value your liver. 12771What have you found here so far? 12772Some gold, nothing too amazing. 12773The only interesting thing is that altar. 12774It seems to be connected with the grate over there through a mechanism of some sort. 12775It s been made using techniques I don t recognise. 12776Whoever built this place knew what they were doing. 12777Tell me about this destruction. 12778At first everyone tried to flee, but that was pointless. 12779Sooner or later, the storms will be everywhere. 12780Mendoza s Inquisition is trying to find out how the storms started, and why. He s feared, but if Mendoza can t stop them, all is lost. Including us. 12781Ha. Ricardo the kitten has claws! Either that, or you re a ringer. 12782I did it for the experience. 12783A costly way to get that. But if you want to keep paying me your gold for the privilege. 12784How do I handle Master Aric? 12785Well, you train like mad so you can beat him. Or... 12786Or what? 12787Or you train and you talk to Caspar. He s got a few tricks up his sleeve. 12788Why are you watching Patty? 12789Pays to keep an eye on your enemies. 12790And her father wants to pay me back a little for scuttling his ship and killing half his crew when we last fought. 12791Sure, he d ve have done the same to me given half a chance. 12792But, there s a score to settle. 12793So, it s up to me to settle it before he pays me back! 12794Finding Steelbeard... 12795...that s something me and his daughter have in common. 12796Maybe her search will help me find her father before she does. 12797Come on, Rufo. Keep looking. (Hold out scrap of cloth) 12798Is it true you do business with Romanov? 12799What is wrong with that? Pirates act for themselves and for gold. The Inquisitor acts for his faith, me for my people. We all have our own beliefs. 12800We all act in our own interest. 12801Can I take the test now? 12802No. First you must expand your theoretical knowledge. 12803Sounds easy enough. 12804Don t be hasty. Theory forms the foundation of all research. 12805You would do well to absorb all knowledge, and to memorise it. 12806Turns out that Erlan is a decent fellow, after all. 12807So, he replaced your turkey? 12808He did. He has obviously found his own enlightenment. All is well, once more. 12809I ll have a word with him. 12810Okay, but don t tell him I told you. He s almost as bad as those creatures. 12811Ricardo was meant to be protecting the excavation site, but he s vanished. Branon won t go back to work unless Ricardo cleared the site of creatures. 12812That worker, Dwight, really doesn t care about your orders. 12813He s a lazy sod. And Beppo will go mad if he doesn t get those artefact crates soon. 12814What do you suggest? 12815Someone needs to give Dwight a beating. That s what I ll get for him not working! 12816About time you took that attitude. 12817Me!? I m not a fighter. I m not doing it. 12818And you wonder why things are like they are. 12819Here s the bone and moth wings you needed. 12820Excellent. Here s your quill. Take care of it. 12821So, the little fish has left the safety of his pond, eh? 12822Brogar. 12823Who d you expect? The gnome king? 12824I knew you d turn up here sooner or later. 12825And now Esteban s not around to protect you... 12826Esteban wasn t protecting me... 12827Then let s finish this. 12828It s payback time, little fish. 12829How can I be of help to you, Master? 12830Let s do some strength work. 12831Good, the stronger you are, the stronger your blows will be. 12832Hitting harder ends a fight quickly. More chance of us both surviving whatever they throw at us. 12833No advantage in longer fights - just more chance of you losing. 12834When you are strong, you can finish anyone you re fighting faster. Easy. 12835Do you want to buy a fish stall? 12836No thanks. I m a farmer. 12837What I know about fish you could write on the side of a sprat. 12838Someone in the harbour might be interested, though. 12839Finn says a buyer for the fish stall might be found in the harbour or the tavern. 12840So, what brings a man like you into a storeroom? 12841There you go again. Blunt you are. 12842I am a man trying to make a living in difficult times. 12843Times when creatures would take your life off you, and your fellow man would strip you of your pride. And what s a man without pride? 12844This is why you don t like the Inquisition being here? 12845The Don knows pride. I m talking about years of injustice. Years of faceless men, names on paper from the mainland deciding our fate. 12846I m talking about using events to escape the chains they ve been keeping us in. 12847People think it s just about surviving, but what s the point of having a life if you spend it paying taxes, working to the bone for others to live in gold and silk? 12848A man needs pride... 12849I m thinking you must be that castaway? I ve heard you ve been... helpful. 12850What if I have? 12851In a place where being known is dangerous, you ve got yourself well known. 12852There s a proverb...rush to take a friend and the summer lamb will become a wolf in winter. 12853Choose a side, choose carefully and choose before your actions choose for you. 12854You sound like you need help. What if I help out? 12855You d do that? But... 12856Well, if you really want to stick your hand in this beehive, you re welcome to. We can certainly use the help. Everything seems to have ground to a halt. 12857Go to the camp lieutenants and see what sort of problems they re having. That should help you get a picture of what s happening here. 12858Maybe we can root out the source of this rot, before it reaches Esteban. 12859Rachel is sure that at least one person in the camp, maybe more are trying to get rich behind the Don s back. She believes talking to people and helping out the Don s lieutenants could provide information to uncover these traitors. 12860Delgado is waiting for his gold. 12861Then he s going to have to wait a long time. I m not paying. 12862Delgado won t like that. 12863Is that a threat? Please! 12864What do you think I pay Fuller for? 12865Delgado s not getting another coin out of me! 12866I m the butcher. I m the one who does the hurting. 12867Remember that. 12868Not yet. 12869Come on then, tough guy. 12870All right. Let s stop. 12871Yeah, glad you saw sense. 12872You want another beating? 12873I ve brought you your plants. 12874Well, well. That was quick! 12875You have performed well. Consider my test passed. 12876But take this as an incentive to learn. You can go far if you study. 12877Thank you, Master. 12878What news of the novices? 12879I m working on your test 12880Good. I have need of these plants, but find those novices! 12881What are Rotworms? 12882They can t really be described. 12883Indescribable they are... 12884They re like...giant...rotting...worms. 12885You can ask Ricardo in the camp. 12886I ve asked someone to come down here and help you look for somewhere. 12887He seems like a good guy. 12888Really? Thanks for that. 12889Have you noticed that this island seems to be free of storms? Everything just happens around it. It s very odd. 12890I hope this island treats you better than the storm that brought us here. 12891Ich bin dein Characterhelper. 12892Was kann ich fur dich tun? 12893Is your beer any good? 12894There were those on the mainland thought so. 12895Barleyman s export they called it...till the island was cut off. Every time you think you re getting ahead, life just drags you down... 12896Which reminds me, the camp is waiting for a delivery. 12897I don t suppose you d be interested in dropping some bottles off for me? 12898Komm mit (Owner) 12899Okay 12900Where is the Don? 12901In the Temple. 12902Is he religious? 12903Ha! 12904So, what does he do in there? 12905Avoids being out here. 12906How did you get here? 12907That is a very long story. Which is not yet over. 12908But now is not the time to dwell on the past. 12909Where do I find Jorgensen? 12910Down in the swamp. 12911Follow the path where all the big mushrooms grow. 12912And don t eat any of them, or you ll end up like Jorgensen! 12913Cut the crap. 12914I can tell you re lying. 12915You re really not going to let this rest are you? 12916Not a chance. 12917Okay, okay. But you won t believe the truth either. 12918Just before the Order locked up Harbour Town, I started getting nightmares. 12919Then it got worse, I started seeing these apparitions, hearing this whispering inside my head. 12920I escaped town. But it s no better out here. 12921I haven t slept properly for ages. The whispering. Always the whispering. 12922These apparitions, these restless ghosts, they won t leave me alone. 12923What can you tell me about Lord Patroscon? 12924Yes. When he comes to me, I can hear his horrible, whispering voice inside my head. 12925He says terrible things...terrible, terrible things. 12926Oh, yes. I know him. Well, knew him. 12927Really? Has he appeared to you too? 12928Our paths have crossed. 12929What? What are you talking about? 12930Can you tell me something else about these ghosts? 12931I m telling the truth here! Spend the night if you don t believe me! 12932I d love to see your face when the ghost of Lord Patroscon appears. 12933Why would a dead Lord haunt you? 12934If only I knew... 12935So, do these ghosts talk to you? 12936Only one of them. He calls himself Lord Patroscon. 12937The Inquisition s here. Make yourself scarce! 12938What must I do? 12939Go to the gate. 12940The Titan will soon try to leave its prison. You must stop it! 12941Trouble? 12942Stay out of the chambers and restrain the urge to steal or to start fights. 12943Hey...what are you up to? 12944I m preparing to pass my tests. 12945I ve put them off for far too long. Got to pass them sometime. 12946We come back to the town, what do I end up doing? I m still a guard. 12947I m loyal, been here for years, why can t I guard something worthwhile...like the brothel. 12948Stay at your post. I find you near the brothel, I ll cut off your reason for going there. 12949Yes, Captain. 12950I ve brought you some meat for the needy. 12951Really? 12952Flavio said you could use it. 12953That I can! There are more refugees, driven here by the creatures in the Temples, by the Don... 12954We even have some refugees from other islands...we need help if we are to care for them all. 12955Where can I get this Crystal? 12956Crystals are rare. There is one the Monastery, but you will have to find that on your own. 12957According to Master Vitus there is a Projectile Crystal somewhere in the Monastery. 12958I m ready. Let s open the portal. 12959The moment has come. 12960You must have picked up some skills, to be a guard. 12961I know how to fight, and I can handle a crossbow. 12962Can you train me? 12963To fire a crossbow? 12964All right, but it will cost you. 12965(Give ten apples) 12966Here are the apples you wanted. 12967Thanks. I ll get down to the dung heap right away. 12968How much do you want to sell your stall for? 12969Hmm, well, including all the goods... 12970...let s say 300 gold pieces. 12971Can you train me in sword fighting? 12972Crossbow 4 12973Crossbow 1 12974Crossbow 2 12975Crossbow 3 12976Crossbow 6 12977Crossbow 5 12978Crossbow 7 12979Sword 1 12980Sword 9 12981Sword 8 12982Sword 3 12983Sword 10 12984Sword 2 12985Sword 7 12986Sword 6 12987Sword 5 12988Sword 4 12989Strength +5 12990(Back) 12991Strength +1 12992Brogar is a big fish in a small pond. 12993And those are giant words. So big I don t think you know what you re saying. 12994I know some people wouldn t have a problem if he disappeared. 12995I won t be responsible for what Brogar would do to you. 12996Let me worry about that. 12997You should worry. But you re serious, aren t you? 12998A new person. Finally someone I can send! Thank the gods. 12999You talking to me? 13000Certainly am. Everyone else is busy, pretending to busy, or is just lazing round and I have to get a message to Severin. 13001He s helping process the artefacts at a farm...I think they call it Tilda s Farm . 13002I need every man to clear these artefacts. And I mean every man! But someone has to tell Severin our situation. 13003Tell him we need support. We haven t got the manpower we need. 13004Have you ever seen a sword like this? (Show lizard sword) 13005Hmm... Looks strange. I ve never seen a material like that. 13006But it s certainly not a bad blade. 13007What else can you tell me about it? 13008The Don s men pay a lot of attention to their weapons, they need to to stay alive. None of them would run around with a thing like that. 13009And, I just don t have the time to look at it. 13010You ll have to find somebody else. 13011Hey, you! Watch where you re going. 13012This ruin is really dangerous! 13013I lost Garth... 13014Well, that s a screw up. 13015So, what can I do now? 13016Right. Think. We haven t lost yet. 13017Garth will still meet with his partner. You have to find him. 13018Where should I look? 13019Probably somewhere in the Gutters. 13020In a house, in a hideout... Look for him in the Gutters! 13021Find Garth for Weasel. He is probably meeting his partner somewhere in the Gutters. 13022Hey, you grow Brugle, do you have a Brugle roll I can smoke? (Pickpocket) 13023Hey, you grow Brugle, do you have a Brugle roll I can smoke? 13024I grow Brugle to sell it. There s no other way to earn money out here. Do me a favour and buy it, don t beg for it. 13025Now things have calmed down. 13026I can finally catch a few winks now and then. 13027I have come to be tested. 13028Enlightenment is found in many places. 13029Seek Trust and Wisdom in Combat. 13030Master Vitus needs novices to seek Trust and Wisdom in Combat to pass his test. 13031Ah, a recruit who knows the value of both the spell and the staff. 13032I ll help you to find your father, Gregorius. 13033And why would you want to do that? Sorry, I m not used to getting offers of help. If you find anything out, I d be grateful. 13034I don t know if you know Captain Romanov? 13035I heard he came here, and that he s still somewhere on the island. 13036Romanov is also a man of the sea. He and my father have crossed paths a few times. 13037If anyone knows something about my father, it s going to be him. 13038Patty is looking for her father, Gregorius. She thinks Captain Romanov, or one of his crew knows something about his whereabouts. 13039What can you teach me about hunting? 13040Bow 7 13041Bow 5 13042Bow 6 13043Sneak 13044To move quietly, put down your feet toes first. 13045Be careful not to stand on any twigs. 13046The slightest noise can give you away. 13047Slow down and move smoothly. 13048You can pull the hide from the body with one jerk. 13049back 13050Dexterity +1 13051Dexterity +5 13052Bow 4 13053Bow 2 13054Bow 1 13055Can you teach me archery? 13056Bow 3 13057Yes, Scordo gave me this package for you. 13058Ha, you see...even an old bear in a cave can grow fat. 13059Scordo must trust you, if he gave you this package. 13060And you delivered it. 13061You have proven yourself, proven it was right to trust you. 13062As of today, you are one of us and can call yourself a hunter. 13063You have earned our respect. 13064You have earned your pride. 13065I only hope to prove myself further. 13066We should split up! 13067We should split up. 13068Would you like some Brugleweed? 13069I prefer to keep my mind clear. 13070I would suggest you do the same. 13071Are you trying to take Hemlar s place as a trader of diversion ? Or are you here to train as a Warrior? 13072Master Vitus doesn t use Brugleweed. 13073I ve only taken this role to find Hemlar s killer... 13074Oh... I see... 13075Well, make sure you only play the part. 13076There are many who start things as a pretence then become them for real. 13077I m just making a something on the side. 13078You value gold highly? 13079You realise that most of the things it buys...are worthless? 13080I m looking for a protection spell. 13081Then you re in luck, I have one. 13082But a word to the wise. Once it s used, the scroll is worthless. 13083I am willing to go to the town for you. 13084Good. 13085Go and find if my people are still loyal. 13086One more thing... 13087Yes? 13088The Inquisitor. 13089Gather all the information you can about him. 13090Here in this hole, I am deaf and blind. 13091I have to know what that fanatic is planning. 13092For my people. For my island. 13093Find out if the Don s men in Harbour Town are still alive, and have remained loyal to him. 13094Why does everyone here see a new face and just assume I ll do jobs for them? 13095Cos... 13096I m too busy right now. 13097...you need people that will owe you favours? 13098Favours? 13099You never know when you ll need them. Take these 10 bottles to Rachel, the camp cook. 13100I need 50 gold coins for them, so I can pay my damn protection money... 13101All right, but one day I ll want to collect that favour. 13102Course! Here s the beer. 13103And don t forget! 50 gold pieces. 13104Fifty, yeah, I ll remember that. 13105Sell Rachel Rhobart s 10 bottles of beer for 50 gold coins. 13106Don t think I didn t see you trying to take a kip! 13107Sleep isn t free you know. Especially not on one of my beds. 13108So pay up. 13109You said you are a Titan Lord? 13110Titans ruled this world once. I changed that. 13111My kind forged mighty artefacts and used their power to force the Titans into imprisonment, freeing the world for humanity. 13112Such power I had. Once. 13113You know what you must do! 13114One of the Don s men comes to the Order of the Flame? 13115I am Master Vitus. 13116As long as you behave yourself properly, you are welcome among us. 13117But... if you cause trouble, do not think because we are religious men that we cannot look after ourselves. 13118Enough. Enough. 13119Very well. 13120I thought you were different. That you could see what s really going on here. 13121I m just doing what I can to survive. 13122As was I, lad. 13123Hey! 13124I m not interested in your motives, Aric. 13125I hope one day you get the chance to understand. 13126Self-pity doesn t suit you. 13127Hey. 13128Hmm, I ve not seen you before. Who are you? A fresh-faced young man, eager to experience the thrill of an outlaw s life? 13129Errr, maybe. 13130I can t think why else you d be here. 13131There are warm alehouses and welcoming brothels in the town, food and indoctrination at the Monastery... 13132All the swamp can offer is the taste of freedom and the whiff of rebellion... 13133So, that s what the smell is round here. 13134I heard our boys have been suffering in the town. 13135I don t suppose you know anything about that, do you? 13136Who are you? 13137Mo. I work for Dargel, delivering meat. 13138I see. That s a difficult job. 13139Yeah, specially as I remove offal, keep the butcher s shop clean, render fat and fetch cattle... 13140If you don t want anything, can I get on? I ve a lot to do. 13141What would happen if the Don found out about your little scheme, Brogar? 13142The Don doesn t give a shit what s going on in this camp not any more. 13143This place needs a strong leader. Not someone who lets the Inquisition walk in. And then hides away like a dying dog. 13144Brogar can be undermined if proof can be obtained about his protection money collecting. 13145There are those round here who know who is really in charge... 13146Ah, it s good to be back. Thank you for your help. Esteban has never looked happier. 13147Here, take this. I m sure you ll find a use for it. 13148So, you re still here. 13149You made me feel so welcome. 13150You want to stay in this shithole? You re welcome to it. 13151What? What are you doing to me? After everything we ve been through! 13152That s it, if I m going to die. 13153I ll die fighting you! 13154(About Frost magic) 13155Please teach me about the Frost Crystal. 13156We can begin as soon as you are ready. 13157Here is your Crystal. 13158(Give sapphire) 13159I have the sapphire you wanted. 13160Good. Very good. That is exactly what I needed. 13161Please teach me about the Frost Crystal. 13162(Back) 13163Instruct me. 13164(Give cold heart of a Bogbody.) 13165I have the cold heart of a Bogbody. As you requested. 13166Good. I shall reduce the price of your training. 13167Are you ready to teach me? 13168Let me into the town. 13169As long as you pay... 13170I m looking for training. 13171Ukkos can train you. Train you in strength, train you with an axe. 13172I must ask for a little gold, against my honour, but Ukkos needs gold for the butcher shop. 13173What s your price for dealing with the dung heap? 13174Harlok s stew. It s about the only decent thing to eat in here and he only makes it once in a blue moon. 13175And you want my share? 13176Yes. 13177For a task you re supposed to do anyway. 13178Okay, fine. Then just bring me ten apples instead. 13179Fruit keeps you regular. You don t want to be corked up in a place like this. 13180Weasel is trying to trace some Brugleweed packages. 13181Hmm? If we could get those packages... 13182They would be exactly the evidence I need. 13183Marcelo needs evidence that Weasel has been dealing. Finding Weasel s Brugleweed packages should give Marcelo what he needs. 13184I ll find you a buyer for your stall. 13185Wonderful! Might be handy if you look for someone who is drunk, or crazy, or loves fish. 13186I ll keep that in mind. 13187I have faith in you my friend! 13188Here, have a shark steak on the house. 13189Philus wants to sell his fishmongers. He believes a fisherman might be the most likely person to buy it 13190What s up with you? 13191Someone betrayed us...I find the fucker...they re dead. 13192Dead. 13193Then they d better hope you don t find them... 13194Have you ever seen a sword like this? (Show lizard sword) 13195Odd looking thing. 13196Definitely not from around here. 13197Try Harbour Town. 13198Calm down, tell me what s happened. 13199This whole thing has been a total fiasco! Disaster! 13200Fincher said, go to the Eastern Temple bring back what you find. 13201So, a group headed into the ruin here. 13202But nobody s come back out of the place! 13203Gold be damned. If I d known it was lethal, I never would have volunteered. 13204Tell me about the Don s old house. 13205It s that big building over there. 13206But the White Robes are in there and they never leave. 13207If you want to break in, you ll have to do it at night. 13208Some of them will be asleep then. 13209Oh crap... What do you want? 13210I thought I d lost you. 13211Then you need to work on making your secret meetings a little more secret . 13212Oh crap! 13213Did, did you follow me? 13214It really wasn t hard. 13215You re the most enchanting creature I ve ever seen. (Pickpocket) 13216You re the most enchanting creature I ve ever seen. 13217Well, don t you say the nicest things? You aren t like the others in this town. You know how to talk to a woman. 13218Greetings, Captain. 13219Stahlbart 13220Starte Namenlsoe Graber 13221Starte Pattys Suche 13222The temple ruins contain many secrets, it was in such a temple I discovered the Ocular I wear. 13223It shows me the magical currents of the world. 13224The Holy Flame has its origins in the fire of the volcano and the currents on this island flow there. It must be tied to the secret of this island s survival. 13225Come, let us go there. 13226What can you tell me about Hemlar? 13227Hemlar? Never got to know him, he d been here longer than us, so he didn t talk to new recruits. 13228You must know something about him. 13229Well, he spent a lot of time with Harlok in the kitchen. 13230And? 13231Harlok isn t the sort who talks much. 13232But apparently, the two of them had things to talk about. 13233But you ll have to ask Harlok what it was. 13234According to Tucker, Harlok often talked with Hemlar in the Kitchens. 13235Ah, a novice searching for magical enlightenment. 13236Come with me. 13237I have Alvaro s blade staff. 13238A useful item. 13239You should give the staff back to him, but not without collecting a reward naturally. 13240Give me the key to the cellar. 13241This is no mere cellar key. 13242It s the key to utter bliss! 13243Then give me the key to bliss. 13244You might as well ask me to tear out my heart and hand it to you! 13245Look, I only want to borrow it. 13246No. Absolutely out of the question. 13247There was a lizardman down there...wasn t exactly friendly. 13248You think it could be lizardmen who built this temple? 13249There are a lot of idols and totems with lizard faces on them in there. 13250You think that temple is full of them? 13251I don t know about you... 13252But the idea of being knee deep in lizards...ones that can build things like that Temple s full of... 13253...that thought s not going to help me sleep at night. 13254As if this island didn t have enough nightmares. 13255Can t be nice here. It s damp, draughty... 13256Can tell you ve never lived at sea. 13257But this rancid clothing does me no good. Shore time normally means clean clothes. 13258And I ve been sweating into this shirt for five straight weeks. 13259I ve an old chest in the warehouse on the harbour quay. 13260There s a casket in there with shirts in it. 13261You bring that casket to me, may be then we can talk about things. I might even throw a few coins your way. 13262Where do the storms come from? 13263I don t know. 13264I m not even sure the Inquisitor knows. 13265I do know that Mendoza is determined to stop the destruction. And I ll do all I can to help him. 13266So, Lorenzo put you in your place. Your pride s dented, and your purse is lighter. 13267But revenge is always worth pursuing. 13268Gib mir Gold 13269Gerne! 13270Why did the Inquisitor come to this island? 13271Contact with the mainland is lost, we have heard nothing from our other outposts... 13272If we were to lose the Holy Hall, lose the Holy Flame as well... 13273But, maybe, maybe the Temples that rose from the earth here hold secrets that can help us understand what is happening. 13274To that end, we gather everything we find in the ruins. 13275We must hope the ancient temples here hold secrets of the past that can help us build a future. 13276I found this old scrap of paper in Steelbeard s shack. 13277Show me. 13278No, means nothing to me. 13279I m betting Patty will know what it is, though. 13280Show it to her, and if she leaves town, let me know. 13281Romanov wants to know when Patty leaves town. 13282I can distribute those healing potions for you. 13283Good, good. Thank you. I have 7 potions prepared. 13284I will give you a list with the names of the needy here in the Gutters. 13285Consider the remaining potions payment for your work. 13286Distribute healing potions to the needy in the Gutters for Master Belschwur. His list gives the names of all those who need potions. 13287Of course! The druid s hut! 13288Come on, Rufo! Search! 13289Who am I supposed to help? 13290A woman. She has a small tavern down on the harbour quay in the town. 13291She s called Patty. 13292Patty? Yes, I know her. 13293Pretty clued up, aren t you? 13294What do you want here? 13295I could ask you the same thing. 13296I sleep here. Nothing wrong with that is there, mate? 13297Scroll preparation 13298The scroll maker prepares himself mentally... 13299...then places the ingredients, the blank roll of parchment... 13300And the quill alongside the prepared Rune table. 13301Copy the Rune noting all strokes and details made by the Rune maker. 13302The Rune table is the secret then.... 13303I m working on my test for Master Illumar. 13304I m working on that, too. That s why I wanted to enter the Holy Hall. 13305What s in the Holy Hall? 13306What do you know about a sword? A golden one? 13307Well, I ve heard stuff and I thought I may have found a piece of it back at the excavation site. 13308Have you still got it? 13309I was about to dig it out when those insects came. 13310I wonder if it s still there. 13311You want me to ask nicely? Move...those...crates. 13312You never heard that them that rushes to toil are the quickest to spoil? 13313Hmm, have you ever heard those that refuse to depart...get a boot up their arse? 13314All right, all right no need to speak twice when once will do. I m going, okay okay? 13315All right, all right. the beaten dog cowers before the hand and all that. I m going. All right? 13316In the old days, Berengir, a mage taught the art of combat... 13317..., the art of fighting with the staff. He once said to his student 13318"I can show you the path, but you must walk it yourself." 13319What have you done? Brogar is furious. And I mean really furious! 13320If he catches you there s no knowing what he ll do. 13321Where is he? 13322I don t know. He headed into the swamp in the south and that s the last we saw of him. 13323He had to run. The Don is going to turn him into... 13324Yeah I know what he ll be turned into. It won t be pretty. 13325Brogar s never been pretty... 13326You think this is what we were training for? 13327Training ! If we d had more training there wouldn t be as many dead recruits! 13328What can you tell me about Flavio? 13329People say Belschwur is the only man doing something for the farmers. 13330But Flavio has given work to lots of people. Has... 13331But that s changed? 13332Yeah. The warehouse is empty and he had to get rid of most of us. 13333So, who are you? 13334A trader... 13335What about you? 13336You could be a spy. For the Inquisitor. Or for the Don. 13337We could go round in circles talking about this. Or you could go and show me who you are. 13338You will find many who need help in this town...who you choose to aid will teach us who you are. 13339This tree had better be full of gold.. 13340Scordo won t reveal his plans until he s seen the Don s men succeed in their missions in the town. 13341Just because you ve helped us out a little, doesn t make you a confidante. 13342You ll have to do more to earn that. 13343The outside world doesn t care about this island. We ll only survive if we help ourselves. 13344So, go. prove you are one of us. 13345Help one more of Don Esteban s followers in the town. Scordo will reveal their plan. 13346You re making quite an impact. 13347But we don t want to rock this rotten tree, we want to fell it. 13348Go, there is more to be done in town. When you think this tree is ready to topple, come back to me. 13349Scordo won t reveal his plans until he s seen at least one more of the Don s men succeed in their mission in the town. 13350I hear you re someone to be trusted. 13351That you re no friend of the Order and the Inquisition. 13352Neither am I. 13353I look after the Don s affairs in Harbour Town. 13354My job is to know everything, and to lay the foundations so the town will once again be ours! 13355You won t pay? Is that your final say? 13356It really wasn t very smart to get involved with a man like Delgado, you know? 13357You ll see that soon enough. 13358There s no Don here anymore. The Order controls this place. 13359So, no payment! And yes that is my final say. 13360Let s try a few rounds in the Arena. 13361Are you that keen to get a kicking? 13362Okay. I ll pay you 10 gold. 13363Sure, you can give me gold if you want... 13364But my throat is as dry as sandpaper. I ain t budging an inch until I get a beer. 13365You re the best fighter here? Come on! 13366See these muscles? There s money in em. 13367You want me to fight you again? Without being paid? 13368Nah, forget it. I m not interested in doing that again. 13369Here, have a swig of this. 13370Ah. That s the good stuff right there. 13371So. How about the arena? 13372Go on then. A beer, someone to punch. Life doesn t get much better. 13373You re clearly a man of simple tastes. 13374Not interested? 13375You re not worth my time. 13376You chicken, Domingo? You a big, fat, feathery piece of poultry? 13377I see your mouth moving. But all I hear is blah blah blah. 13378Fine. 13379You give up too easily. And you wonder why I don t want to fight you. 13380You re the Inquisitor? Delighted to see you, delighted! 13381Thanks again for helping me. 13382You helped me, I owed you that. 13383Severin s a good man. 13384He might appear fierce, but he s got a soft side. 13385Well, if you say so. 13386I m fine. And take care of yourself. I hope things work out for you. 13387You ve met some outlaws then? Jan came for me. Thank you for sending him. 13388Well, I hope you find somewhere safe to stay. I guess I ll have to try to make some kind of life here myself. 13389We all have to make the best of things. 13390I found Don Esteban s amulet. (For the Order) 13391You did? Where is it? 13392Hernandez has it. 13393You what! 13394What happened? How did he even know it was there? 13395You realise I ve got to tell the Don? 13396You ve dropped me into a world of shit. 13397Hello, handsome, haven t seen you around here before. 13398I m new. 13399How did you manage to get into Harbour Town? Not much goes in or out these days. Well...not in town anyway... 13400I looked for a way, and I found one. 13401Resourceful, eh? I like that in a man. 13402Glad to hear it. 13403You always this nosey with strangers? 13404I m not trying to make trouble, I can t be too careful can I? 13405I just like to know who is who. Don t I?! There are all sorts round here. And lots of em are wronguns. 13406Can I learn metal working from you? 13407Hah. A man from the Monastery wants to be a smith, who would have thought it? 13408All right. If you want to. It ll cost you. 13409Santiago needs your help at the gate! 13410But if I get jumped by these lizards on the way, I won t be able to help anyone! 13411You should easily be able to make it as far as the gate. 13412No, no, it s too dangerous. 13413Get down there before I kick you down there! 13414You re worse than the lizards. Okay, okay! I m going, I m going. 13415Ah, there you are, the hero of Harbour Town. 13416How are things here? 13417Spirits are high. Esteban has returned to the town. 13418I m keeping an eye on things here, until we follow him there. 13419The only ones causing us trouble now and then are those miserable lizards from the temple ruins. 13420You know anything about them? 13421Kato s the best fighter? 13422That s Master Aric, Kato s more of an arse. 13423Don t let him muck you around. 13424What do you know about Hemlar? 13425Hemlar? Grumpy git. Always sneaking about. 13426You didn t like him? 13427Most of us who bought from Hemlar didn t like him, just what he sold. Dealing with Hemlar was just a necessary evil. 13428What did he sell? 13429Brugleweed...smokes. Inflated prices though, he knew it was hard to get in here. 13430You seem annoyed. 13431Well, he went and got himself murdered, didn t he? So, now no Hemlar and no Brugle, either! 13432Do you know much about Hemlar? 13433I believe he is one of the recruits. 13434He once tried to sell me some Brugle. But I did not wish to receive enlightenment that way. 13435Ich weis nichts von deinem Mann und es interessiert mich auch nicht. 13436Das ware auch zu schon gewesen, dass mal jemand vorbei kommt, der hilft. 13437Go back. 13438Go back! 13439Would you like something to smoke? 13440Smoke? You mean Brugle? Where did you get that? 13441I ll pass. And be careful who sees you with that. 13442Master Aric didn t want any Brugle.. 13443How often do these Warriors of the Order come up here? 13444The Inquisitor sends one once every couple of days. They like to keep a check on things. 13445He picks up what we ve harvested and the meat, and takes it to the Monastery. Where they no doubt stuff their faces 13446If I were you, I d hide when he shows up. 13447Thanks for the warning. 13448Look here, a new face from the Monastery. 13449How are things here? 13450Difficult times, but hardship is the true measure of a man. 13451So, you ll give the disc you have to the Inquisitor? 13452Inquisitor Mendoza, the mighty Inquisitor Mendoza comes to this island, my island... 13453He marches his men through the streets of my town, he tyrannizes my people, and forces them into his service. 13454Yet I am supposed to trust him? 13455Trust a man who has betrayed every promise he s made, even to those of his own faith? 13456No. I will not simply give this disc to him. I need something for me and for my people if he is to get what he wants. 13457How do I get into Harbour Town without being seen by the Inquisition? 13458The town s rear gate is guarded by the old town watch. 13459They are men without a master and their loyalty can be bought with a little gold. 13460When everyone is corrupt...in gold you trust. 13461This is the training courtyard. You ll be seeing plenty of this. 13462It s where your basic training will take place. 13463How long does basic training take? 13464Until Master Aric says you re done. Then Master Vitus will continue your training. 13465Come on, I ll show you some more. 13466You will share a chamber with Hemlar. I ll show you where it is. 13467Looks like you could use some help. 13468And help s what you ve given! 13469The moment you opened that damn grate. 13470I was here in the burial chambers with Danilo when those things ambushed us. 13471I made it down here. 13472Some how, I triggered some mechanism that closed the grate behind me. 13473Spent a lot of my life in caves, thought I was gonna die in one. 13474Deal. I ll bring you your casket. 13475Here s the key to the chest. It s on the upper floor of the warehouse on the harbour quay. 13476Won t be easy to get to. But I can see you re the resourceful type. 13477After you ve got the stuff, come straight back here, and keep the casket hidden. You give me your word on that? 13478You must really be fond of your shirts...you have my word. 13479Just get going before I stink myself into an early grave! 13480Romanov wants the casket from his seaman s chest which is on the top floor of the warehouse on the harbour quay. 13481Ah, here it says... The Illusion spell... aha... 13482... the necessary component is the tusk of a boar... 13483A book stated that the tusk of a boar is needed for the Illusion spell. 13484I told you. Domingo is as hard as rock. 13485If you ever beat him, you ll have earned your gold. 13486Are you hiding from your wife? 13487No cows, no harvest, no farm, creatures everywhere, and she said that was my fault! 13488Came to get work here, now Carasco won t even give me a job lugging crates. 13489Would that be anything to do with the fact you re in here getting drunk? 13490That s got nothing to do with me. That s got nothing to do with it. That s got nothing to do with it! 13491And you re sure about that? 13492What are you? A missionary? I ll seek my salvation in drink. 13493Go and bother Lukor or, or, or... someone. 13494What have you got to trade? 13495What future do you see for Harbour Town? 13496What future for the world, for this island?...Those things are in the hands of the Inquisitor. 13497For us, we must keep this town safe for its citizens, keep it a haven for refugees. Keep these honest people safe from the dangers without and within. 13498Once we have done that we must look to feed the people, find ways to survive until we have word from the mainland. 13499I have to face Master Aric in combat. 13500It seems so. But maybe you ll win. Maybe. 13501Face him. It won t do you any harm. 13502If you can t handle him, I ll do my best to help. 13503Just let me in. 13504You re in a hurry. 13505Don t you want to know what s waiting for you in there? 13506I ll let you in. 13507Provided you have the gold... 13508Steelbeard s daughter Patty is dead. 13509Agg! Damn stupid wench, getting herself killed! 13510How am I meant to find out what her old man is up to without her? 13511Leave me. I need to think. 13512You mean protection money? 13513Shush. Not so bloody loud! 13514Who are you protecting? 13515What do you care? 13516You re one of Captain Romanov s men. 13517Smart bastard aren t you? 13518That s why you re the man for this job. 13519I am ready. 13520The fourth seal is the most difficult. But your wisdom is great. 13521I stand ready. 13522The channels will open to you. The knowledge will be yours. 13523You have achieved the wisdom of the spirit. No Runic seal can bar your path to the Runes. 13524What is my assignment, Master Illumar? 13525You already know that every spell has its magical ingredient. 13526So, you want me to - 13527Do not interrupt... 13528You will learn the ingredients for every spell for the First Runic Seal. 13529That is your task. Find me when you have done that. 13530Learn all the ingredients for the spells for the First Runic Seal for Master Illumar s test. 13531I have found the crystal discs. The portal can be opened. 13532The inevitable takes its course. 13533So, you don t think opening the portal is the right thing to do? 13534Inquisitor Mendoza is following his path, and he is prepared to risk everything for it. 13535The Monastery, the Holy Flame, and the lives of every one of us. 13536No other mage wishes to venture through that portal. Yet he would walk in with his eyes closed. 13537We look to you to prevent the worst. 13538That means I am supposed to go with him? 13539You must. Inquisitor Mendoza trusts you. 13540He needs someone to balance his ambition, to provide perspective upon his logic. 13541He needs you. 13542The Holy Flame guards us, but it would be reckless of us to rely upon that alone. 13543Take this amulet, it should grant you some protection - Find out all you can, that knowledge is vital to us, return when you have learned the secrets of the portal. 13544If you re afraid to go, how am I supposed to handle things? 13545The Convocation will provide... 13546I accept this task. Willingly. 13547Good... 13548Tell me about your work. 13549About digging? Well, like I say it maybe dirty work, but somebody s got to do it. 13550You fancy trying? Just look for a sandy spot in one of the excavation sites ... 13551Then you stick your shovel in the ground and dig. 13552Who knows, you might even find something! 13553What do you know about the Inquisitor? What s that thing he wears on his eye? (Pickpocket) 13554What do you know about the Inquisitor? What s that thing he wears on his eye? 13555Isn t that the magical artefact he found in one of the ruins on another island? That s what I heard anyway? 13556Could we make a deal? 13557A deal? 13558Finish your tests first. You are too easily distracted from them. 13559Well, there are objects of minor value... 13560Maybe you could buy an artefact or two. I suppose increasing our gold supplies would be beneficial. 13561What can I do for you? 13562Perhaps some healing? 13563You have come to be healed? Or perhaps just to pass the time in conversation? 13564I could do with some fight practice. 13565Yeah, I could do with some. 13566And if you lose, we can fight again...we re all on the same side, better we all are, better for all of us. 13567Defeat Tucker in the Arena. 13568Weasel has left us...for good. 13569If you hadn t dealt with him, someone else would have. You ve made the town safer. 13570Hey. 13571Did I look like I wanted to talk to you? 13572Sirius has your notes. 13573Sirius? 13574The novice you sent me to find? 13575Oh. Sirius! A hard-working fellow. I suspect he ll soon be ready for his test. 13576Yes, but right now we have more important things to worry about. 13577So, you re the Inquisitor now? Well, rather you than me! 13578Who are you? 13579You interested or not? 13580I ve met them both. 13581Dirk and Olf? 13582Right. 13583To the point aren t you? 13584No point wasting words. 13585No. 13586No. So? 13587So? 13588So are you interested? 13589Where did this artefact come from? 13590Lets just say me and my two brothers acquired it, hey? 13591Acquired it ...right. 13592You re one of the triplets, right? 13593You know my brothers? 13594I ve met one of them. 13595Thought you might like to know Dwight has gone back to work. 13596He has?! That s almost a miracle. But well done. Here, take these coins. 13597Your gratitude is boundless. 13598So, what about a tipoff? 13599Heard anything? 13600Certainly have. 13601Do you know Jack the lighthouse keeper? 13602He was in here last week. 13603Three sheets to the wind. 13604And? 13605He blathered on the whole time that it was his lucky day that he found a valuable ring. 13606And? 13607And I know where Jack hides the key to his chest. I ll bet three street whores to a farm girl that s where he keeps that ring. 13608Gib mir XP! 13609100 XP 1361050 XP 136115000 13612(zuruck) 136131000 13614500 13615There you are again. 13616What have you learned? 13617I ve found what is protecting the island, but the Inquisitor is going to take it. 13618Why would he do that? He would destroy all he has worked for. 13619The Inquisitor is willing to sacrifice everyone on this island. 13620That doesn t sound too good for any of us...why would he do it? 13621I ll find the blade the Don wants. 13622You want to look for it, be my guest. 13623But you take one piece of that blade for yourself...one bit of glittering gold.... 13624I ll hear about it. 13625I wouldn t dream of it. 13626Oscar needs the missing fragments of a valuable sword the Don is interested in. 13627Heard anything about the break-ins? 13628You think because I do deliveries, I m in on them? 13629I don t care about valuables. I care about music, beer and keeping out of trouble. 13630Sounds idyllic. 13631It ll be strange not to have the Don s men around here...I got used to having company in the Swamps. 13632Still, maybe there ll be more demand for my beer, hey? 13633I challenge you to fight in the arena. 13634No chance. Find someone else. 13635Just let me in. 13636Sure. You re as good as in. 13637And, take this town map. 13638See, no one can say I don t support the Monastery. 13639Glad you re on our side. 13640I d like to train. 13641Axe 6 13642Axe 7 13643Axe 5 13644Strength +5 13645Strength +1 13646Axe 2 13647Axe 3 13648Axe 1 13649Axe 4 13650(Back) 13651I have found all the mages. 13652And? Are they coming? 13653Master Pallas is dead. 13654That is a loss. 13655With him we would all have stood a better chance. 13656I found someone. Nico will buy your stall. 13657What? Is he crazy? 13658Oh, well, his craziness, my escape. Thank you for finding him. 13659Here. I found this clam in a fish crate. Might be of use to you. 13660Now you re fish free, what will you do now? 13661I m going to Patty s. I ll get the gold from Nico on the way and then I m going to get very, very drunk! 13662Did you come from Harbour Town? What s it like there now? 13663Why are you interested? 13664Well, it used to be my home, for one. And I heard the White Robes are gaining the upper hand there. 13665Seems that way. 13666Ah well...we ll survive. Somehow. We always do. 13667Have you ever seen a sword like this? (Show lizard sword) 13668Let me see...This is obsidian. I ve played around with this. 13669But I never thought you could make swords out of it. 13670I attempted it once, but the blank was too brittle and splintered with the first blow. 13671Wait, do you see this? Looks like traces of gold. 13672Maybe that gives the obsidian some flexibility... 13673How many of you are there? 13674Six. Three fighters and three treasure hunters. 13675One of the treasure hunters fell through the trapdoor over there. The fool. 13676I told him, "Look out, you idiot" and he was gone. 13677The others went through the passage back there. 13678Haven t heard from any of them since. They were supposed to stay in touch. They were supposed to let us know what s happening. 13679What has Patty got to do with this? 13680Don t worry. She s not going to get hurt. 13681Just visit her and do what she asks of you. 13682That s all? 13683Yes. Just do what she asks. 13684This isn t some strange way of her asking me out is it? 13685Stop asking questions and do it. You ll find it easier on yourself. 13686And you ll get paid too. 13687How could you refuse that? 13688The pirate Balturo s boss wants you to go to help Patty. 13689All right. I ll call on Patty. 13690Good. Why don t you go and do that now? 13691You ll hear from us later. 13692Have fun with Patty. 13693No. Tell your boss I m not getting involved in this. 13694A regrettable decision. You ve made a mistake. 13695And you ll be hearing from us. 13696I can t wait. 13697No isn t a word people say to us. You shouldn t have done that. 13698You can stop worrying about Brogar. I ve dealt with him. 13699You re quite something. With him gone...I just hope the Don will find his old self again... 13700But that s me talking about us...and I get the sense you ve already outgrown us... 13701You ve got a spirit of adventure... 13702...this swamp isn t going to be good enough for you. 13703Well. Guess I d better get back to my own work, eh? 13704Good luck with wherever you go. 13705I have completed the studies I needed to tackle the second Runic seal. 13706And your mind is open. 13707I shall clear the way for you to channel your life force... 13708The second seal will no longer bar your path, but two more remain. 13709Hey... 13710Who are you? What do you want!? 13711I m not going back. I won t! Tell them I won t! 13712You want to calm down, or do you want me to knock some sense into you? 13713You wouldn t be calm, not if you d heard them. Not if you d heard them... 13714Easy, easy. I m not here to cause trouble. 13715That s what you expect me to believe... 13716But as soon as my back s turned you ll drag me there, bury me again, bury me with them... 13717What can you offer for healing? 13718Ah. I have potions to ease your wounds. 13719I m well-versed in the art of Alchemy and prepare all my potions myself. 13720The pieces of armour lie in the tombs of the lizard priests. 13721But they are guarded. Here, I ll show you where the tombs are on the map. 13722Hmm, one tomb is in the Don s camp. 13723Then you will need to find a way to can convince him to let you in there. 13724Talk to Don Esteban and tell him about the events in the Saurian Fortress. 13725But first, it is time to accept you into our circle. 13726You have done great things and know the secrets of magic. 13727We don t have much time. 13728I know, but this will help you. We will make you a Master. 13729Do I need to prepare for this? 13730Simply tell me that you are ready. Then we will begin. 13731Of course, the Monastery must be cleared of these lizardmen first! 13732What happens now? 13733I ll tell Carlos about Weasel s Brugleweed business and how you helped. 13734You ve earned a reward. 13735Spend it wisely, you want more, I m sure you ll find someone else with work...these outlaws never stop. 13736What are you doing here? 13737Weren t you going to enter the volcano with the Inquisitor? 13738Have you found anything there? 13739Well, has Inquisitor Mendoza revealed his plans to you? 13740Yes, he has. 13741It is time, you must study the power of Runes...you will have need of this. 13742What will I need to study the Runes? 13743All power has its roots in learning. You must start by studying the Book of Runes. 13744You must do that as soon as possible. 13745To access the power within Runes, you must first understand the seals which protect them. 13746Once you are ready we will examine these seals together. 13747Well, I need him back at work. Any suggestions? 13748For how you talk to someone who isn t right in the head? 13749Them that talks the loudest, listens the least . 13750Not helpful, he says he wants protection against these spirits of the ancients . 13751He says they re after him, but he doesn t actually know anything about these ancient spirits does he? 13752You could give him any useless trinket and tell him he was protected. 13753Yeah...thanks, I might just try that. 13754Enrico might be convinced to go back to work if he is fooled into believing he has magical protection. 13755The Inquisitor! Welcome! Welcome! 13756But do you have a particular problem with Carasco? 13757He s the worst of them! Claims I ve been stealing. 13758Even had me searched, but he s never found anything. 13759It s an outrage. An outrage I tell you! 13760Then what test do you suggest? 13761Never have I met someone so keen to be tested . 13762A test? I will give you a test . It won t require training you don t have. But it could be dangerous. 13763I sent two novices to bring me some plants, specific plants. 13764The novices have not returned. 13765You task is to find them and to bring me the plants. 13766That is your test. 13767Abrax sent two novices to bring him plants. To pass his test. find the novices and bring Abrax the plants he wants. 13768How do we restore the disc s crystal? 13769It requires an ancient ritual. 13770Then let s start it. 13771Before we begin, I must discuss something with you. 13772Get hunting or I ll get unpleasant. 13773Wait wait wait! 13774...I m waiting. 13775What? Right! You go and deal with these rats. They re over to the BURP... south of here. 13776If you come back, I ll give you thirty cold groins. 13777Whaddaya think? 13778From the smell of it you are from the swamp. 13779What does an outlaw want here? 13780I bring a message from Don Esteban. 13781Why does he not come himself? 13782He is busy. 13783With looting the ruins, attacking my men, or...hiding in his Temple? 13784Are you looking to provoke the Don? Or to get an answer? 13785Why haven t you gone to him? 13786Defiance...that is what I have come to expect from the Don. 13787And all the Don gets is aggression, intolerance and a deaf ear. Isn t it time we changed that? 13788I stand here as if I was the Don. 13789Defiance, ignorance and hollow talk. 13790Are you the local blacksmith? 13791Blacksmith? I look like I spend my days making fucking horseshoes? 13792I m a pewterer, a gilder, a worker of fine metal. 13793And I m not looking for an apprentice. 13794Particularly one that doesn t know the difference between a metal worker and a smith . 13795Do I look like an apprentice? 13796You don t look like you ve got the coin to be a customer. 13797What do you want? 13798Keep your anvil on, I m going. 13799And just who are you? 13800I ve not seen you round here. 13801If I did want to learn about metal working...how could I persuade you to teach me? 13802You not listening? 13803Someone spit in your ear? 13804Or steal your brain? 13805I don t want an apprentice. 13806So, why don t you just fuck off? 13807You were seen in a house that was burgled 13808I deliver beer to a lot of houses. 13809I m seen everywhere. 13810True enough... 13811I am glad I wasn t wrong about you. 13812Harbour Town is ours and it s thanks to you. 13813Lorenzo won t fight me. He knows I beat him before and I ll do it again. 13814Oh, well, you can always find another opponent. 13815Here. Your money back. 13816What can I do for you? 13817How s business? 13818The Order s keeping us busy enough. They need all the weapons we can make. 13819Walter s been slaving day and night to finish everything. He just keeps going. 13820(About your future) 13821You will surrender to the Order. (For the Order) 13822You will surrender to the Order. 13823No. Please no! I can t go to the Monastery! 13824First you stay here and hide. 13825But Cid ll find me. And he ll kill me! 13826I ll take care of Cid. 13827With the statement you gave me, I ll get him. 13828Oh shit and fire. That s not going to be easy. 13829Let me think about this. 13830Please. I m begging you mate. Don t tell Cid or Rodriguez! 13831Hmm. Wait here. 13832If you run, I will find you. 13833All right! All right! 13834It s better if you disappear. For good. (For the Don) 13835It s better if you disappear. For good. 13836That way you won t be a problem for Cid. Or anyone. 13837No. You wouldn t. No! Don t kill me! 13838It would solve the problem. 13839Wait! If I have to disappear, then let me disappear! 13840I ll vanish underground. I ll never come back to Harbour Town again! 13841I swear on the Holy Flame, mate. Everyone will believe I m dead. Even my family. 13842What do you say? I can be gone in seconds. 13843I can t take the risk. 13844Oh no. 13845Right. 13846I ll tell Cid you ve vanished. 13847But if I ever see you here again, you re a dead man. 13848Thank you! I swear I m gone forever! 13849Do you know a way out of Harbour Town? 13850I ll find one. I ll jump the wall if I have to! 13851You must be hungry if you re happy to take food from strangers... 13852We used to have a whole town. Now, we ve just got a swamp. You ve gotta grab any meal you can get! 13853Someone in your position ought to be more careful. Who knows what you re being fed. 13854No one would dare mess with my grub! 13855And if you re thinking about it, then also think about what your entrails look like. Cos you ll see them pretty fast if you mess with me! 13856How are things, Rachel? 13857Don t act like you don t know what s been going on around here! 13858You know our attempt to take Harbour Town failed. 13859Why else do you think everyone is in such a lousy mood? 13860If I were you, I wouldn t be seen in this camp. 13861This is a friendly warning. Next time it won t be so friendly. 13862So, is that the way things are? 13863Looks like it. Unless you have something important to say I suggest you make yourself scarce. 13864Do you have any potions I can take? 13865Best you go, before someone makes you disappear... 13866You re looking ruffled...you run into some trouble? 13867That was you saying hello was it? 13868You mess with someone s livelihood, revenge is their undeniable right... 13869Fine...then let s count us even. 13870You re lucky your friend isn t coming back to you in pieces. 13871Bull! You couldn t handle Domingo. 13872All right, try sending him again and see how eager he is.... 13873All right...You have to admit, you screw with someone s livelihood, revenge is their right... 13874Sure...then let s count us as even. 13875Can I see the ring Cid gave you? 13876Nah! You might chop my hand off to get it! I know your sort! 13877Here. Take this gold. 13878You re buying the knowledge, all right? Doesn t mean you have the skill. 13879They re linked to the Saurian Fortress. Whatever is in there is behind most of our problems. 13880And you re going to find out how to solve that, right? 13881What makes you say that? 13882You ve made a habit of sticking your nose into things...you re going to stop now? 13883You re not the sort to stand back. 13884You ll find out what s in there, mark my words. 13885All right, I think it s time you were straight with me. 13886What is going on with your father s letter? 13887If I tell you something, I m trusting you. And you d better not think about crossing me. So...so when I said my father was on this island...I meant was . 13888So, he isn t on the island anymore? 13889No. I don t think so. But I do think he left something here. 13890Something every villain in town would kill his own mother to get hold of. 13891And you thought you d give me the run around? 13892Hey! I didn t ask you to get involved. 13893You ve helped me, but that doesn t mean I have to tell you everything. 13894I ve only known you five minutes. And this is my life. 13895What is it that your father left? 13896As soon as I find the next clue, I ll tell you. 13897Have you got any sword blanks? 13898Just what I got here. My stock of ore is empty. 13899You bring me some iron ore, I can make you some blanks. 13900I ve finished training with Tucker and William. 13901Then it s time for a lesson from me, babyface. 13902Let s see if you have the makings of a Warrior. 13903Let s fight! 13904Well, if it isn t babyface! 13905Come to play with the adults, have you? 13906I warn you, our grown up games get rough. 13907Here. This gate will lead us to the source of the Holy Flame. 13908This gate will lead us to the secret of the storms. 13909Humanity must be defended. 13910And it is the Flame that holds the key to this. 13911Search for all 14 Teleport stones on the island. 13912Any news? (Pickpocket) 13913Any news? 13914Well, apart from me having bunions the size of hens eggs, no. It s been pretty quiet. Hope it stays that way. 13915Come with me. 13916Come with me! 13917動くな！ 13918There s no admittance to the Temple area! 13919ここに税を課してるのは誰だ？ 13920Tristan修道士だ。 いつも大抵は農場の家の前に居るよ。 13921彼が農場を仕切ってる。 ここは彼が動かしているんだ。 13922なるほど。 13923Do you have a job for me? 13924If we don t trust what he says, what s our alternative? 13925Bring me the rest of these Crystal Discs the Inquisitor needs. 13926Once we have all of these discs he will have to deal with us on our terms. 13927Now we know what he wants. 13928We have the upper hand. 13929Get me those discs. Then let us see what tune we can make our Inquisitor dance to. 13930Don Esteban wants the 4 remaining Crystal Discs the Inquisitor needs. Find them so the Don has a bargaining tool. 13931You might want to talk to the Don before you speak to me. 13932They re not making this easy are they? 13933Nothing you really want in life is easy. 13934There is more information to be had here. 13935Before we advance, we must learn as much as possible. 13936You aren t planning on going down into the ruins, are you? 13937What if I am? 13938Didn t you say you were looking for a waterfall? You won t find one down there... 13939Where does that passage over there lead to? 13940That? That s no passage, that s a storeroom. 13941And you re going to stay away from it, because it s my business... 13942You fled, eh? 13943I thought you could take care of yourself. 13944I m not proud... 13945But you do what you can to survive, right? 13946I d known these creatures were down here... 13947I d ve taken precautions. 13948Did you know these things were here? 13949Here is your casket. (For the Don) 13950You found it? Anyone see you fetching it? 13951No one important. 13952Strangely that doesn t put me at ease. 13953This casket is heavy, I m guessing I brought you more than clean shirts. 13954Maybe shirts and the gold the Inquisition is looking for? 13955Could be, or it could be my shirt buttons are just extremely heavy... 13956Could be... 13957A lesser man would have forced the lock to find out. 13958I gave you my word. 13959And a man s word is worth more than gold. 13960Though gold never goes amiss. What say I throw 300 gold your way? 13961It would be rude of me to turn it down. 13962Stranger or friend, a decent deed is worth a decent reward. 13963Thanks. 13964....here... About scrolls... 13965... and ingredients... 13966Hey, you can t enter here. I don t want to fight, but I can t let you in. 13967What do you want? 13968Lukor sent me. 13969That old sod. He s worse than my wife. 13970He says you re not sticking to your agreement with him. 13971And Vasili says if we all want our gold we mustn t agree to anything else. 13972So, I need 100 gold pieces for the armour plate. 13973Do you have anything to sell? 13974I will help you to keep the law in this town. 13975Good. 13976Then root out the outlaws. 13977Find those on the streets of my town that do not fit with the Order s plans. Who do not seek the common good. 13978Confront them and see to it that they can do no harm. 13979My guards will help you. 13980Carlos s guards will provide information about the Don s men and their activities. Find the Don s men, stop them causing trouble and, if possible, get them to leave town. 13981You serve the Order of the Holy Flame. 13982So, do your duty, novice. 13983So, do your duty, recruit. 13984If you wish to join the Order then do your duty and I will see to it that you advance. 13985Looks like I m going to have to fight against Master Aric. 13986Hah, don t fancy your chances! 13987Can you help me? 13988Against Aric...? Aric s decent, but he s had a dodgy past and somewhere during it, he got himself a charmed sword. You don t stand a chance while he s got that. 13989Blades are frowned on here, but the Inquisition turn a blind eye when it s Aric. The recruits need training and right now he s the best trainer around. 13990I m betting words alone won t get this sword off him? 13991No. He does loosen up after a drink though.. Only time I ve heard him talk about his past...and talking about his past gets him talking about fights he s had... 13992And that ll work? 13993Sure. Once he s drunk a few bottles then hit him with the hard stuff. 13994Something that ll disconnect his mouth from his brain! If he starts bragging you might be able to get that sword off him... 13995You could even get him to take a handicap...give him a lousy weapon. Let him prove himself to you. 13996Aric can t be beaten while he has a charmed sword. Supply wine and some mage wine and trick him not to use this sword. Persuading him to fight with a really bad weapon would also be an advantage. 13997I thought you d like to know, Patty has left town. 13998I bet she s meeting with her father. 13999Appreciate the information. Here, take this. 14000Perhaps now I can find out what that seaburned bastard is plotting. 14001Master Belschwur told me to bring you this potion. 14002You re too late. Martha... Martha s dead. My beloved wife... 14003I appreciate your effort, it just came...too late. 14004Thank you. Finally, a chance for Martha. 14005But healing potions alone won t be enough. 14006I have to get my wife off the street. It s killing her. 14007She needs somewhere to stay. Shelter... 14008You want me to do this job, or not? 14009Hmm, maybe you can succeed where that damn Dorgan, failed. 14010Well, all the folks in this camp who ain t fighters... 14011Go and tell them their monthly payment is due. Collect it. 14012Then bring the gold back to me. Simple! 14013I ll take the job. 14014But can I trust you? Could be you re a shifty, little fish... 14015I ll do it. Don t worry. 14016Yeah, I want it done and I want it done right. 14017I m not interested. Get it yourself. 14018You seem to be forgetting whose pond you re swimming in, little fish! 14019If I was you, I d do the job before this shark starts getting hungry 14020Yeah. Good wolf. 14021Strange place you ve brought me. Feels like walking through someone s grave. 14022Good work. About time I moved out of that storeroom. 14023Let s get this town running again, and make sure the Order doesn t get a chance to return. 14024Hey. 14025Hey. 14026If they ve singled you out, then you must have done something. 14027I found this strange ring in the forest. 14028Found it, all right? I didn t steal it, it was just there. 14029Been seeing them since then. 14030Show me the ring. 14031Here. 14032A ring? Are you sure you found a ring? I don t see one. 14033Yeah, the very one you stole out of my pocket. Don t pretend you didn t! 14034That ring must have belonged to them. 14035And the undead don t like their things being taken. 14036Oh crap, what do I do now? 14037The Lesser Herbarium... 14038Ignorance is our enemy. 14039I shall bring knowledge. 14040Weakness of purpose is our enemy. 14041I shall not falter. 14042Through your oath you are bound to the Convocation. 14043Your path through life is now tied to the Convocation of the Holy Flame. 14044Loyalty and honour will be my companions. 14045Truth and justice will accompany me. 14046Tell me something about Alvaro. 14047I need to work. 14048Nice warm fire this. Nice and safe . 14049Brogar send you to get on my nerves? 14050You don t care you re making him angry? 14051Angry? Oh no!...I m pissing my pants. 14052I m just making conversation. 14053And I m just telling you to piss off. 14054You re a town guard? 14055Damn right so that means around here, the law is what I say it is! 14056Stay in the Gutters and stay out of trouble. 14057Maybe. What are you doing here? 14058Collecting plants, but I need some help! 14059Something s gone wrong! 14060I need some potions. 14061I think I can find the Don s amulet. 14062Hernandez didn t find a golden amulet in the Don s house, but maybe he didn t look hard enough. 14063You think your eyes are better than ours, huh? 14064Well, go on then, step inside. 14065Let s put them to the test. 14066Oh, really? 14067Yes. And if Toni fails to get hold of it, he ll have to disappear from town. 14068And you think the amulet has to be in this house? But we ve searched it. 14069But what if you missed it? 14070Hey you. Yeah you. 14071Yeah, I seen you about. Nosing in everyone s business. 14072People don t like people s noses being stuck into other people s business. People like that get hit by people. 14073Hand over the packages you took. 14074Sure you want to do this? 14075Absolutely. 14076Then you leave me no choice. 14077Garth! Get him! 14078Shut his flapping mouth. 14079Cutter must be defeated in combat. 14080But can you get me in to see him? 14081No. Look, he needs time alone, to think. 14082I m always having to turn people away. Even his good friends. Why would I make an exception for a newcomer? 14083You mean apart from my rugged good looks? 14084Ha! Believe me, I ve seen better. 14085Unless you have something really important for the Don, you aren t going to get to see him... 14086I don t like the situation. I m his wife and I don t get to see him! But it s his wishes and we have enough trouble round here without looking for more. 14087I don t trust the Inquisition. I want to join Don Esteban s gang. 14088Another person without a home...I don t even recognise you from Harbour Town. Are you sure you re not with the Inquisition new mouth ? 14089If you want to stay, then you d better make yourself useful. Everyone needs to pull their weight here. And no one gets to see Esteban unless they have something valuable or important for him. 14090Tell me about yourself. (Distract) 14091Tell me about yourself. 14092What would you like to know, handsome? 14093I have to go. (Back) 14094I have to go. 14095Go on... 14096I mean you can see I m a lady who likes the finer things in life. 14097A town girl has a duty to look good. 14098Not like those peasants who ve come into town. No style, no class. 14099(Risk pickpocket) 14100I can see you re a woman of great taste. 14101You know what I mean. I can see you re a man that appreciates the finer things in life. 14102Most men around here just care where their next beer is coming from, or how fast your dress hits the floor. 14103It s been a pleasure talking to you... 14104Cid, he s a decent man. Can t look after himself, mind, but what man can? 14105I cook and clean for him... and keep him happy. 14106He s not much of a talker. But who needs talk with his abilities . Got real stamina, my Ciddy. And he brings me lots of presents! 14107I want to be better at thieving. 14108Dexterity +5 14109Open locks 3 14110Show me how to pick really tricky locks. 14111To get to the real treasures, you need more than a lock pick and a little luck. 14112You need a highly developed knack, and intuition. 14113Since you don t know how a lock like that is built, you first have to feel out the mechanism with a lock pick. 14114Once you have a good idea of the construction of the lock you ll know which bolts and which springs have to be tightened or pressed. Have fun. 14115Open locks 1 14116Show me how to pick locks. 14117Right, right, many locks have a bolt that you have to push down in order to be able to open the lock. 14118Then you can poke in all directions with your lock pick until the lock springs open. 14119But be careful. If you push in the wrong direction, the lock pick may break. 14120Open locks 2 14121Show me how to pick difficult locks. 14122Right, right, the idea is the same. Push down the bolt and then try to crack the lock with the lock pick. 14123Of course, these locks are a lot more complicated. 14124Locks like that are expensive, but you can expect valuable stuff inside. 14125Sneak 14126Right, right, if you want to be really quiet, step toes first. 14127And don t step on anything noisy. 14128Even a small twig could make a sound. 14129Keep everything slow and measured. 14130(Back) 14131Dexterity +1 14132I need better equipment. 14133You need some gold? Take it from our hoard. 14134You ll find some interesting pieces there. 14135Some of them may be of use to you. 14136I want to trade some iron ore for some sword blanks. 14137Piece of piss, tell me what you want. 14138(Back) 14139A blank for a bastard sword. (10 iron ore lumps) 14140I want a blank for a bastard sword. 14141There...best you re going to find round here. 14142A blank for a two-handed sword. (12 iron ore lumps) 14143I want a blank for a two-handed sword. 14144Here...you won t find better work than that. 14145A blank for a sword. (8 iron ore lumps) 14146I want a blank for a sword. 14147There, might be basic, but that s well forged. 14148How much iron ore do you want? 14149Say... 8 lumps...if you just want a basic one handed sword. 1415010 for a bastard, 12 for a two-handed. 14151Looks like you re moving on, Brogar. The Don s given me your hut. 14152You d better watch your step little fish. Cos as soon as you stumble, my blade ll be waiting. 14153You won t see me coming, little fish. 14154I talked to Severin... 14155And? 14156He s sending more crates to the Monastery. 14157Good. Time is short, time is short. 14158What s your problem? 14159Had a few, have you? 14160Weird, you re missing the tits, so you can t be my mother. 14161Do us both a favour a go screw yourself. 14162I m just getting to know Harbour Town. 14163Tell someone who gives a shit. 14164Now, fuck off and stop snooping. 14165Ich habe deinen Mann gesehen. Er ist noch am Holzhacken. 14166Hoffentlich kommt er bald. Danke fur die Nachricht. 14167I see you ve found Steelbeard s loot. 14168So, hand over the map. 14169No. I ve changed my mind. 14170Then I d better cut that out and change it back. 14171Hadn t I? 14172Here. I found a lot of gold and this map. 14173The gold s yours. All I want is the map. 14174I m impressed, gutterdog. 14175When I sent you into that cave, I didn t fancy your chances of coming out again. 14176I could use a man like you. 14177I prefer to work alone. 14178Well, if you ever change your mind, there s a place for you in my crew. 14179We had a deal. Where s Patty? 14180You really want to free that fury, eh? 14181You really think she s safe to be released into the world? 14182I kept my end of the deal, now keep yours. 14183Relax. Relax. I was just playing with you. 14184She s locked in the ruin on the west slope, south of here. 14185Here s the key. 14186This is where we part. 14187And I hope you ll not think me rude if I say that I d rather not see your face again. Or hers. 14188Get the message? 14189Romanov has locked Patty up somewhere in the ruins on the west slope. The key can be used to free her. 14190Teleports 14191Teleportiere mich zum Lager vom Don. 14192Gut. 14193Teleportiere mich zur Vulkanfestung. 14194Gut. 14195Telportiere mich zum Dungeon. 14196Gut! 14197(Zuruck) 14198Don t make me say it again! 14199We need all the help we can get. 14200Any help in particular? 14201The outlaws here are staying undercover, but they re still pursuing their dirty business. 14202So I ve heard. 14203I m certain Weasel is still one of the Don s men but he spends all day sitting on a bench. 14204So? 14205Weasel is no saint. He used to run a protection racket here, before the Don left. 14206He s not doing that if he s sitting on a bench. 14207A spider sits in its web, but it s still got murder on its mind...He s planning something, but I need evidence to stop him. 14208You re new here, if you could talk to him, gain his trust. 14209See if you can get evidence of his misdeeds. 14210I ll see what I can do. 14211Good. Good. 14212Talk to Weasel and gain his trust. Take Marcelo evidence he can use against Weasel. 14213I found the four Crystal Discs the Inquisitor wants. 14214You have done well. 14215The Inquisitor is a man of words and trickery. 14216You have proved yourself loyal to the people. 14217From this day on.... 14218You can call yourself a fighter. A man amongst my men. 14219Wear our armour with pride. 14220Unless the Don sent you with business, I don t have time for you. 14221Have you read everything? 14222There were parts I couldn t decipher. 14223Then we must plug those gaps with intuition. Let us take the knowledge we have and enter the crypt. 14224Come, we must go to Ethan and use the breach to enter the fortress. 14225One of the unmarked graves? 14226Yeah, I d say this is one of the hiding places where your father buried his clues. 14227I guess my father s map has really given you the run-around, eh? 14228You could say that. 14229Lets keep going. 14230Helpful to the Inquisitor that is. 14231What makes you say that? 14232Oh, you know what it s like. Word gets around. 14233And you do seem to be everywhere, collaborating, doing his good works. 14234Good for him, that is. And his good seems to be leaving others starving, doesn t it...? 14235What have you found so far? 14236Not much just this bust. 14237Looks like it s part of a mechanism. 14238What will you do now? 14239I ll stay here. When the food runs low or their questions bore me, I ll find a way to leave. 14240I m not sticking around. 14241Not while this place gets sucked into hell. 14242Well, I m staying. I can take care of myself. 14243Yeah and something tells me, when this place is being chewed into hell you re going to be right in the middle of it! 14244There was a time when I d be right there with you. But you ll have to walk this path alone. 14245Can you get me a turkey? 14246What do you want with a turkey? 14247Can you get one? 14248It s not that easy. They re only for the mages. 14249Hey! New, huh? I m Caspar 14250If you need something around here, I m your man. 14251For a price, of course... 14252I don t know. What do I want? 14253You were looking at me? 14254I m new here. I m just getting to know people. 14255If you don t know that I m the best fighter in the camp, then you ain t been here long enough for me to care! 14256I ll pay you for the armour plate. 14257Have it. I need the gold. 14258To spend on drink? 14259It s better than giving it to my wife. 14260Nagging old shrew. Tilda you know what that s short for don t you? Till dawn Till dusk , cos that s how long she nags me. 14261Show me your goods. 14262The town is now free of the Don s men. 14263I heard. Every one of the Don s men gone from the streets! 14264This town and the Order owe you a debt. 14265All that is missing is the leader of this gang . 14266If you were to see to it that Scordo disappeared , that would be an immeasurable service to the people of this island. 14267I ll go and train more. (End) 14268I ll go and train more. 14269I think that would be very wise. 14270Let Sam go hunting. 14271Okay, okay. 14272Aren t you the soft hearted one? 14273I am ready to examine the third Runic seal. 14274Good. Then I stand ready. 14275I will open the channel for you... 14276You are growing stronger, you can now see beyond the third seal. Now only the fourth seal awaits. 14277What will you do about the Inquisitor? 14278We are the guardians of the Holy Flame. We protect the island. 14279The Inquisitor has become a threat to those things and so he has become our enemy. 14280What about the rest of the Inquisition here, who will they side with? 14281Commandant Carlos will influence the others. He is the highest-ranking member of the Inquisition; we can only hope that his loyalty is to the cause and not to the man. 14282Talk to him and explain everything. I hope he will help us. 14283Talk to Carlos and tell him about the events in the Saurian Fortress. 14284If it s the same one you re talking about I ve been to the temple entrance in the east. 14285And did you see any White Robes? 14286Have they taken the place over? 14287Not a sign of them. 14288Good, good... 14289Then we should push ahead and see what we can find there. 14290We could do with those treasure seekers though...find us some...soon 14291I m following a troop of Saurians. 14292Down towards the hunters hut. 14293If you hurry, you can still catch them! 14294I want to get into town. 14295Of course. Of course. 14296Well... So, you re the new Inquisitor... 14297I hope someone stabs you right through those damn plates. 14298You can relax, I dealt with those bog bodies. 14299Now, that is a relief. I knew you weren t all bad... 14300Here, take this as a thank you. 14301Searching for novices? How hard can that be? 14302It is a test...if you doubt there is a challenge to it then maybe you have failed it already. 14303The two novices I sent failed to return. 14304Or have you forgotten that? 14305Discuss what? 14306You saved my life, I am in your debt, so I will help you. 14307But you must take care. 14308You do not know what is inside that mountain. 14309So, before you act...I advise you to speak to me first. 14310I agree. I will come to you for advice. 14311Good. Then you must learn as much as possible while you are in there. 14312With devices like this disc locking it, I suspect it will be full of wonders. 14313What do you suspect is inside? 14314If I were to guess, I would be no better than the Inquisitor. I want to know what is down there. 14315Examine everything! Books, records. Find them, and study them. 14316What if I don t have enough time to return? 14317The mystery of the mountain has slumbered for over a thousand years. 14318A few days more or less should not make a difference. 14319But to act rashly now, that could cost us a thousand years! An eternity! 14320Before we act, we must know what is behind the gate. 14321It is either very powerful, valuable, or dangerous. 14322The Inquisitor knows what he s doing. 14323He believes he knows. That is not the same thing as knowing. 14324The Inquisitor is a man with much experience, but he is a man with goals. 14325And goals can blinker a man. You must look past this and see the truth. 14326What exactly do you need to know? 14327Without knowing, how do I know what I need to know? 14328Find whatever writings you can. 14329Here s the gold for your bed. 14330Sleep well. 14331You re a hunter and you can t deal with rats? 14332Furry, little bastards look at you funny. Go on, you kill them, I ll pay you! 14333Kill the rats in the south for Luis. 14334I m checking on all the guards. How are things here? 14335The lizardmen are steering clear of us, but they re around. 14336And if they attack the only help I have is a couple of recruits. 14337So, what s your main problem here? 14338I think those lizardmen are looking for a way into the town. 14339If they find a way in, the smuggler s tunnel or another way, we have a situation. 14340I ll have a look around. Try and stop them 14341Please do. And eliminate all the Saurians that are spying on the wall. 14342I have spoken with the Inquisitor. 14343He ll agree to an armistice in return for some Crystal Discs . He claims you have some and he wants them. 14344That s his price. 14345Crystal Discs ? That is all he seeks? What do these Crystal Discs do? What power have they? 14346END 14347You were seen in one of the houses that was burgled. 14348Actually I ve been in more than one. 14349That doesn t make me a thief, though. 14350We ll see. 14351Clay s taken over from Phil on guard duty. 14352Good. Pair of useless arseholes. 14353What s that to you? 14354You don t have a clue the trouble the Inquisition s new laws are causing... 143550 14356Show me your goods. 14357I have another question. (Distract) 14358I have another question. 14359Then ask. 14360Why did you come to this island? 14361I sailed to many places, but almost everywhere we found only death and ruin. 14362This island is one of the few which did not fall victim to the destruction. 14363Where do you come from? (Pickpocket) 14364Where are you from? 14365From the mainland. We are searching for survivors. No human being stands alone in these times. That is our message, our mission. When we arrived here though, I saw a chance to do more than simply rescue survivors, I saw a chance to stop this. 14366I see. 14367Are you going to stand guard now...or are we going to fall out? 14368I m going, I m going.. 14369All you need for Telekinesis is a little wing dust. 14370The ingredient for a Telekinesis scroll is wing dust. 14371For this spell, you need a pearl. 14372According to Erlan a pearl is needed to make a Jest scroll. 14373It s quite simple, actually. You need a little wing dust. 14374According to Erlan wing dust is needed to make a Telekinesis scroll. 14375Fincher talked to Karakos. You may take some. 14376You need wing dust. 14377Correct! Very good. 14378A pearl 14379Schalte Ricardo fur den Arenakampf frei 14380For this particular spell, you need a pearl. 14381According to Erlan a pearl is needed to make a Jest scroll. 14382Eldrics Rustung 14383A couple of bookstands. I d gone there to find out what ingredient is needed for an Illusion scroll. 14384... preparing a Telekinesis scroll requires wing dust... 14385One of the books says the ingredient for creating a Telekinesis scroll is wing dust. 14386Gut animals 14387You get the right kit you can remove animals horns or teeth. 14388But you re going to need the tools for that, just ask a hunter to sell you them. 14389Gut animals 14390With the right equipment, you can also remove animals horns or teeth. 14391Many hunters will sell you the necessary tools. 14392Gut animals 14393Course right, with the right equipment, you can remove animals horns, or teeth. 14394Hunters will sell you the necessary tools. 14395私はカギはチェストのそばに隠したものだわ。すぐに開けられるようにね。 14396Gut animals 14397Then you can pull the hide from the body with a jerk. 14398With the right equipment, you can also remove animals horns or teeth. 14399Many hunters will sell you the necessary tools. 14400Skin animals 14401With good instruction you can also learn to take special trophies. 14402You can buy the tools you need from many hunters. 14403カギを見つけるかカギ開けの才能が無い限り、開かないままだわ。 14404松明を見て。近くに人が居るんだわ。 14405松明のほうへ行ってみるべきだと思わない? 14406なんだか不気味な洞窟ね。 14407別の道を行きましょう、お願い。ここはなんだか・・・良くないわ。 14408I knew you would return. 14409But it is too late now. 14410The gate is closed, and the Titan will rise! 14411Step aside! 14412You challenge me and you are a traitor to your kind. 14413You will move. 14414Not if I can prevent it. 14415You want to fight a Titan? 14416There is one little fact that you overlooked. 14417Without this ocular, you won t even be able to see the Titan. 14418Then I guess I will have to take it. 14419You may be wearing Ursegor s armour - 14420But you lack the will to win. 14421You will perish, just like all the others. 14422The picture on the wall in the washroom hides a secret switch. It opens the door to Scordo s hideout. 14423Madam Sonya says Scordo, the leader of the Don s men, is hiding in the storeroom behind the washroom. A switch behind a picture in the washroom will open the door to him. Scordo is guarding a locked door to a secret passage. He has the key. 14424You want to gut animals? Then you cut the prey from the head toooooo - the back! 14425I m here on the Inquisitor s business. 14426Inquisitor? That sounds important. 14427It is important. 14428All right, all right. 14429Just say the word and I ll let you in. 14430Ah, good lad. Blessings be upon you 14431Why? 14432Well, the mages and the novices are the only ones who care about us farmers. 14433So, if you re with them, then you re alright by me! 14434Nice to be appreciated. 14435Is there anything else for me to do? 14436No. You ve done more than enough already. 14437If circumstances allowed, I would make you a novice directly. 14438But we are no longer allowed to train anyone to become a mage without permission from the Inquisition. 14439Are there no exceptions? 14440Commandant Carlos is the only one who could authorise such an exception. 14441If you decide to walk the path of magic, you should make sure to be in his good graces. 14442May the Holy Flame protect you! 14443Hey, I do the talking, he does the biting. What do you want? 14444Touch anything and I ll set Rufo on you. He needs a good meal. 14445He doesn t seem the biting sort. 14446Don t be fooled, he s a killer. 14447All right, slit the prey from the head towards the back. 14448I need help repairing a magical artefact. 14449What kind of artefact? 14450A Crystal Disc, but the crystal has lost its power. 14451Do you have the disc here? 14452No, Master Cyrus has it. 14453A mage? No, no, no, no I don t work with mages. If you want me to repair the disc, then I will work on it alone...with you. 14454Bring the disc to me, without a mage, then we ll go to my hut. 14455Get the damaged disc from Cyrus and bring it to Eldric. 14456Have you found Eldric? 14457Not yet. 14458Keep looking. We must find him. 14459I have a wolf that will lead us to Eldric. 14460A wolf? 14461Well, wolves and druidism go back a long way. It could work. 14462I ll accompany you if you wish. 14463I need the disc. 14464Why? 14465Eldric does not want to include you in the ritual. 14466What? Nonsense! I must be a part! 14467Is that what you ll say to the Inquisitor if Eldric refuses to help? 14468Very well, arrogant stupidity. Take the disc. 14469I will look around then return to the Monastery. You will find me there should you find you need me. 14470Take the disc from Cyrus to Eldric. 14471I train fighters...try fighting them...they need the practice. 14472Talk to Craig, an he ll give you a few pointers. 14473Go on, fight my men...you re not ready to fight me...trust me on that one. 14474Brogar will only fight opponents that have defeated all the other fighters. Craig oversees the arena fights. 14475Nothing gets past you, does it? 14476Here, two rolls of Brugleweed. 14477Great. The Cemetery s all yours! 14478Take a few deep breaths...relax, okay? 14479I want to enter the town. 14480No one can enter. Orders from Inquisitor Mendoza! 14481Weasel wants someone to collect money from the merchant Konrad. Find out if there is anything that can be used to pressure him into paying. 14482I have direct orders from the Inquisitor. Let me into the town. 14483So, you have been sent by the Don to negotiate for peace? 14484Word gets around. 14485Peace is in all our interests. 14486Let me know when you re ready to enter. 14487You must be the man who negotiated this peace for us. 14488I am. 14489In that case, I m allowed to let you pass. Just let me know when you want to enter the town. 14490The Don mentioned a secret room accessed by a hidden switch behind a picture. 14491There is a secret room in the Don s old house. The switch to open it is hidden behind a picture. 14492Brogar s always been trouble, but since we ve been in this swamp...Esteban s absence has really lowered morale. 14493Let me enter the town. 14494At once. 14495I need to get into the town. 14496You can t. I cannot make an exception. 14497No one may enter the town. 14498I cannot make an exception just because there is peace now. I have my orders. 14499No one may enter the town. 14500I should take you directly to the Monastery. 14501I bear an important message for the Inquisitor. 14502Then you should go to the Monastery. Inquisitor Mendoza is not in town. 14503Look out, behind you! A Rotworm! (Pickpocket) 14504Look out, behind you! A Rotworm! 14505What? Where? Has it gone? They re sneaky beasts, they are. I ll have to keep my eyes peeled. 14506Costa will let Martha have a bed. For a price. 14507I ve got the disc. 14508Excellent, excellent, excellent. We should get out of here then. 14509Now, here it is in my hands. Here, you deserve a little gold for bringing this to me. 14510Halt. You re not coming in here. 14511I am here on the Inquisitor s business. 14512Then you d better go in. 14513I am the cook, so if you want to get fed - mind your manners. 14514Pretend to work for Delgado. Get the money from Costa, but give it to Sebastian instead of Delgado. 14515I still need more skins for Flavio s deal. 14516We work, we feed you, we bring you wood...and you still screw us workers for gold... 14517その娘がそこに居るなら・・・ 14518私がどこか安全な場所へ連れて行くとしよう。 14519Think I want to spend time with you? Swim away little fish before the water gets too deep. Wouldn t want you drownin ...would we? 14520Where can I get the trophies you need? 14521Well, you could go hunting... 14522But if you re not a hunter, there might be some around the Monastery somewhere.... 14523Where exactly? 14524Well, the Cemetery s your best bet for a bone, just don t go dismembering any old Masters, that tends to upset people. 14525And you ll need to persuade Yoki to let you in. 14526As for the wings... well, a few of the recruits keep some in their chambers... 14527Just don t get caught rummaging around ... 14528Yeah, I can tell you re from the Monastery.... 14529Slit the prey from the head towards the back. 14530Patty will provide support against the lizard warriors on the west coast. 14531It obviously did for my father. If you are going to keep it, take me advice and burn the bed linen. 14532Rhobart the Swamp Farmer will pay 70 gold coins for every 10 Brugleweed plants taken to him. 14533Well, we need him, so I ll find him. 14534I want to enter the Cemetery. 14535Why should I let a bandit like you enter our Cemetery? 14536If you don t let me through...I ll have to go through you. 14537Threats will get you nowhere...except trouble. 14538I ll give you some gold. 14539I don t take stolen gold... 14540What about some Brugleweed? 14541Brugleweed...All right, you have a deal. 14542Get me two rolls of Brugle, and I ll let you pass. 14543If I wasn t telling the truth, how would I know Scordo was your man? 14544And if that was the truth then you should have no trouble showing me something to prove it. 14545Thanks! Without you, I would have been in a whole world of trouble! 14546Carasco wants Lukor driven out of the town. 14547There s simply no demand for blades here in the Monastery. 14548The easiest thing would be not to allow you to complete your basic training... 14549You slit the prey from the head towards the back. 14550Five wolf skins and five boar skins. No more, no less. 14551Use your hunting knife to slit the prey from the head towards the back. 14552Eldric to find out what lies behind the gate, and why the entrance was sealed so well. If there are any books or records these should be read and the information returned to him. 14553Find out what the gate is meant to protect and return to me! 14554Find what is inside, read everything and return here! 14555Find them, and study them. 14556Here, take it. And leave me in peace... 14557Follow the Inquisitor. 14558Patty thinks that the unmarked graves left by her father should be examined. The graves are all over the island. 14559The Wisdom of the Spirit - The Fourth Runic Seal 14560Once a student has enough experience, Master Ignatius will help them channel the energies needed to pass the fourth Runic seal. 14561Rufo has picked up Eldric s trail. Follow the trail to see where Eldric has gone. 14562Rodriguez wants someone to convince Doyle to side with the Inquisition then deal with Cid. 14563To open the Golden Gate and enter the Titan Trap, take Ursegor s skull from the sarcophagus. \nEach of the four skulls must be placed on an altar in front of the gate. 14564Carlos wants the artefact smugglers in the town arrested. Rumour has it the brothel at the harbour is involved. 14565Strange things are happening at the Eastern Temple. Take a closer look. 14566Freeing The Spirit - The Second Runic Seal 14567Once a student has enough experience, Master Ignatius will help them channel the energies needed to pass the second Runic seal. 14568Transcending the Spirit - The First Runic Seal 14569Once a student has enough experience, Master Ignatius will help them channel the energies needed to pass the first Runic seal. 14570Illuminating the Spirit - The Third Runic Seal 14571Once a student has enough experience, Master Ignatius will help them channel the energies needed to pass the third Runic seal. 14572Doyle has chosen the Order. Now deal with Cid. 14573Bah! Those are good mushrooms! 14574Kannst du mich im Kampf unterrichten? 14575Schwert 6 14576Um besser zu kampfen, solltest du anfangen schwere Waffen zu fuhren. 14577Bastardschwerter sind dafur geeignet. Versuche das grosere Gewicht durch mehr Geschwindigkeit deines Waffenarms auszugleichen. 14578Du wirst merken, dass es kaum einen Unterschied zu einem gewohnlichen Schwert gibt. 14579Und du kannst dich zusatzlich mit einem Schild schutzen. 14580Schwert 9 14581Wenn du deine Waffe hinter deinem Korper haltst, kann dein Gegner nicht erkennen, was du vorhast. 14582Du musst naturlich schnell sein, aber das bist du ja. 14583Reist du die Waffe dann nach oben, brauchst du fur die folgenden Schlage weniger Kraft. 14584Hort sich gut an. 14585Und das Beste Dadurch, dass du weniger Kraft brauchst, kannst du sogar Zweihander mit einer Hand fuhren. 14586Wenn du willst, sogar zusammen mit einem Schild. 14587Schwert 8 14588Du hast sicherlich schon gemerkt, dass auch deine Gegner deine Angriffe kontern. 14589Wenn das passiert, bist du aufgeschmissen. Es sei denn, du kannst deinen Gegner mit einer gleichzeitigen Gegenparade uberraschen. 14590Ich nenne das Rettungsschlag . Das ist ein sehr schwieriges Manover und erfordert viel Ubung. 14591Du musst den richtigen Zeitpunkt fur deinen Schlag erwischen. Sonst ... 14592... nun, das muss ich dir ja wohl nicht erklaren. Also immer schon uben. 14593Schwert 4 14594Wie du die Angriffe deines Gegners unterbrechen kannst, weist du ja schon. 14595Aber ich verrate dir mal einen Trick. Wenn du sehr nah an deinem Gegner bist, kannst du ihm meistens noch einen mitgeben. 14596Wenn du es richtig anstellst, wird ihm das ordentlich wehtun. 14597Starke +5 14598Schwert 1 14599Ich soll dir zeigen, wie man kampft? Nun gut. 14600Halte deine Waffe fest, ganz fest. Der Schwung kommt aus dem Arm, nicht aus dem Handgelenk. 14601Wenn du dich verteidigen willst, ziehe das Schwert nach hinten, um zu blocken. 14602Halte die Klinge schrag, damit du Gesicht und Brust schutzt. 14603Schwert 2 14604Ich erklare dir mal, wie man eine Gegenparade schlagt. 14605Wenn dein Gegner dich mit Schlagen eindeckt und du keine Chance siehst ihn selber zu attackieren, musst du seine Waffe zur Seite schlagen. 14606Das hort sich leichter an als es ist. Du brauchst ein gutes Gefuhl fur den richtigen Moment. 14607Aber mit ein bisschen Ubung wirst du das schon schaffen. 14608Aber vergiss eins nicht Das funktioniert nur, wenn dein Gegner dich angreift. 14609Konzentriert er sich auf seine eigene Parade, kannst du diesen Trick vergessen. 14610Schwert 3 14611Bisher hast du nur gelernt, wie du deinen Gegner frontal angreifst. 14612Aber besser ist es, wenn du abwechslungsreicher kampfst. Benutze Seitenschlage. 14613Hort sich gut an. 14614Ist es auch. Zusatzlich kannst du den Schwung eines seitlich gefuhrten Schlages nutzen, um einen weiteren starken Hieb zu fuhren. 14615Dafur musst du deinen ganzen Korper einsetzen. 14616Starke +1 14617zuruck 14618Schwert 5 14619Wenn du den Schwung fur deine Angriffe aus dem ganzen Korper holst, bist du schneller und du hast mehr Kraft. 14620Diese Kraft kannst du nutzen, um deine Angriffsschlage besser zu kombinieren. 14621Du meinst, ich kann eine langere Schlagkombination durchfuhren? 14622Genau das. Probier es aus und du wirst sehr bald den Erfolg merken. 14623Schwert 10 14624Kannst du mir mal sagen, was du noch lernen willst? 14625Du bist einer der besten Kampfer, die es weit und breit gibt. 14626Aber ich will noch besser werden. 14627DU BIST DER BESTE!!! Ich kann dir nichts mehr beibringen, aber vielleicht hilft dir diese Erkenntnis, um noch besser zu kampfen. 14628Ich wette, du kannst sogar deine Angriffskombinationen unendlich oft hintereinander durchziehen. 14629Also, es gibt nichts, was ich dir jetzt noch beibringen kann. 14630Schwert 7 14631Bisher hast du deine Kampfe vor allem durch deine Geschwindigkeit gewonnen. 14632Aber manchmal ist es notwendig mit aller Kraft einfach anzugreifen. 14633Dazu brauchst du naturlich genug Abstand zum Gegner. Sonst hast du nicht genug Schwung. 14634Du musst alle Kraft, die du hast, in einem Schlag bundeln und dich mit einem machtigen Satz auf deinen Gegner sturzen. 14635Wenn du alles richtig machst, hast du eine grose Reichweite, du verursachst sehr viel Schaden und du kannst sogar die Parade deines Gegners zur Seite schlagen. 14636Olf is being held captive in Don s old house. Only Hernandez can give the word to release him. 14637You know what they say...the difference between an archer and a good one archer...is...is 14638Hitting things. 14639And don t rush... 14640Better to hit once than miss twice... 14641Right, s no point taking all day is there? 14642Practice shooting fast and then...you can shoot more. 14643Just get smoother at it, that ll do it for you...if you...think... 14644If you can...If you can...hold the...the arrow then you can have it ready to shoot. When you ve shot you can use the other arrow... 14645...after you ve shot the first one otherwise...HIC, you d probably drop them both. 14646Right, aim precisely. Right at the ...head. BURP. Your arrow will do more d... damage. 14647And if you miss, it ll tell you where to aim... 14648If it misses too short...aim up a bit, if it s too far then look...the other way. 14649Right, you start with a bow and arrow and...use the...pointy bit to...you know, aim it. 14650If you re aiming at something that s faaar away, aim...up a bit and if it s near a bit...lower. 14651Try shooting a...a...brown thing...got leaves. Shoot one for practice, they don t run away... 14652Now, if something s moving it s harder to hit, isn t it? 14653So...well...don t shoot where it is, cos it s gone, so you miss! 14654So...shoot where it s going... 14655...then you can hit it, cos it will be there! 14656You are a very good fighter, but if you want to improve further. 14657To achieve true mastery you must learn to see the staff as part of your body. 14658Only then will you be able to move the staff smoothly, without pause. 14659How do I achieve this? 14660Practice and train every technique you ve learned. If you focus on just one technique, you will fail. 14661A good staff fighter will attempt to link one move with another. 14662With your skill you should be able to combine up to four blows one after the other. 14663With practice, you could use lateral blows to extend your attack even more. 14664So, train and keep training hard. 14665The staff is an elegant and quick weapon. 14666Used properly it can also deal out a great deal of damage. 14667Put all your strength into it, use your whole body then channel all the momentum you generate into a single blow. 14668That increases the range of your strike and the damage you do. It will even knock an opponent s parry aside. 14669But keep enough distance between you when you try this move, or your opponent can use this as a chance to strike you. 14670If you are standing close to your opponent during a counter attack, you should try to hit him. 14671That move has risk associated with it, but if you re successful this will bring you one step closer to victory. 14672Of course, this only works if your opponent is in front of you - so use your counterattack as part of a combination. 14673In order to make use of the full potential of your weapon, you must improve your fighting technique. 14674You attack your opponent from the front. This means good opponents will simply parry your blows and you ll waste your strength. 14675So, vary your attacks, sometimes you can also attack from the side. That will stop opponents from being able to read you so easily. 14676Is there a way of performing more attacking moves? 14677The best way to do that is to use the momentum from your first blow to carry out a second, stronger lateral blow. 14678Your counter attack is a useful weapon, but you need to work on it. 14679If you hit them harder, your opponent will be thrown off balance, and you will be able to follow up with a stronger blow. 14680A fight is about at least two people, you must be ready for your opponent s next move, not just your own. If an opponent s counterattack makes you stumble, then counterattack yourself, turn defence into attack. 14681Of course, you will need to time your reaction. 14682You have already learned how to attack and parry. 14683But you can do better than that. Instead of simply parrying your opponent s attack, knock their weapon aside and prepare your own attack. 14684This technique is called counter attacking. The most important thing here is to watch your opponent closely. 14685If you hit your opponent at the right moment, he will start to stumble and you can attack again immediately. 14686If you really wish to improve then change your stance. Hold your staff behind you, use one hand. 14687This will give your strike more momentum and increase the damage you deal out. 14688Okay, so you already know how to interrupt your opponent s attacks. 14689But I ll show you another trick. If you re very close to your opponent, you can usually sneak in another hit. 14690This works great if you use these blows as part of your combinations. 14691Right, so far, you ve only learned how to attack your opponent from the front. 14692You need to mix things up. Variation is key. Try attacking from the side. 14693Sounds good. 14694Well, I don t teach crap! Look, you can also use the momentum of a lateral blow to land a second stroke. 14695Put your whole body into it. You ll do more damage. 14696Okay then, I ll show you how to do a counter attack. 14697If your opponent is attacking you hard and you don t see a chance to attack yourself, you ll need to knock their weapon aside, parry it. 14698Then once they re unprotected, you have to get in there with an attack, sharpish! 14699You ll get a feel for the right moment. 14700Takes practice. But it ll come to you. 14701But remember, this only works when your opponent attacks you. 14702But if he focuses on his own parry, you can forget about this trick. 14703A bit of blade action? Sure. 14704Hold your sword with a good tight grip. The swing should come from your arm, not your wrist. 14705To defend yourself, hold the blade at an angle in front of you. That ll protect your face and chest. 14706All right, always aim for the target s vulnerable spots. 14707If you hit it and it runs off, your dinner s going to die where you can t find it. 14708All right, you have some experience with the bow, but remember to concentrate, and do everything smoothly. 14709Ignore everything else when you re taking a shot. 14710And don t rush. 14711It s no good shooting lots of arrows if they all miss. 14712All right, if you can, aim for the head. You re most likely to drop your target if you hit that. 14713If you miss, look where the arrow went - it ll help to re-align your aim. 14714If the arrow falls short, you have to aim higher. If it is too long, you have to aim lower. 14715All right, if you want to be fast, once you ve shot grab the next arrow so you can nock it to the string without lowering the bow. 14716When you re shooting arrows, you don t normally want to waste time do you? 14717All right, practise loosing arrows one after another as quickly as you can. 14718Once you take a shot, reach for another arrow and nock it smoothly, without lowering the bow. 14719You ll be able to do this quickly after a while. 14720All right, the basics are easy. Just aim over the nocked arrow and let go of the bowstring. 14721If the target is far away, you have to aim a bit higher, because the arrow will drop during its flight. 14722You should practice a bit with a fixed target, like a tree. 14723All right, moving targets can be a swine to hit. 14724You can t aim directly at them. 14725Aim ahead of the target. The faster it s moving the further ahead you aim. 14726It s not easy though, I warn you. 14727All right, so let s talk about how you perform a counter attack. 14728If your opponent is constantly attacking you and you don t see an opening for you to attack you ll have to knock his weapon aside. 14729Once you do, he ll be unprotected, so go straight in for the attack! 14730It may sound easy, but believe me, it isn t. 14731With practice you ll develop a feel for the right moment. 14732But remember one thing. This only works when your opponent s attacking you. 14733If he focuses on his own parry, you can forget about this trick. 14734The noble art of the blade, huh? 14735Right, first hold the weapon s hilt firmly. The swing should come from your arm, not your wrist. 14736If you need to defend yourself, hold the blade at an angle in front of you. That ll protect your face and chest. 14737So far, you ve won your fights mainly through speed? 14738Well, sometimes you ve got to put all your strength into an attack. 14739Keep enough distance from your opponent, though. Otherwise you won t have enough momentum. 14740You ll have to pack all your power into one strike and unleash it on your foe. 14741If you ve done everything right, you ll have a large reach and can do a lot of damage. You might even knock aside your opponent s parry. 14742Follow up immediately with another attack and they won t stand a chance! 14743Right, if you use your whole body to build up momentum in your blows, you ll be faster and have more power. 14744You can use this skill to combine your attacking blows more effectively. 14745You mean I can perform a longer combination of blows? 14746Exactly. Try it out and you ll soon see what I mean. 14747Right. Now you want to step your fighting skills. So start using heavier weapons. 14748Bastard swords are good. Try to compensate for their weight by putting more speed into your stroke. 14749That way you ll hardly notice a difference from a regular sword. 14750And you can use a shield for a little added protection. 14751You already know how to interrupt your opponent s attacks. 14752Well, I ll show you clever move. If you re very close to your opponent, you can usually get another hit in. 14753So, it s smart to work these blows in your combinations. 14754You only attack your opponent from the front, am I right? 14755But variation is the key. So come at them from the side using lateral blows. 14756That s a good tip. 14757Gets better, you can also use the momentum of a lateral blow to perform a second stroke. 14758And if you use your whole body, then you ll do more damage with your strike. 14759You are slow. You must hit faster. 14760How do I do that? 14761Think. If you rush you make mistakes. If you make mistakes, you die. 14762You know how to knock your enemy s weapon aside? 14763Yes. 14764So, does your enemy. 14765So, what do I do about that? 14766If your enemy does that, hit their weapon, time it right - knock it aside and then you can hit them! 14767Sounds tough, but worth a try. 14768One hit is never good enough. 14769Always try for more. 14770So try for many blows. 14771Combine them? 14772Yes. Use your momentum, let one blow swing into the next. 14773Now you are strong, you can change your technique. 14774How? 14775You can swing the axe with one hand. 14776That means I can use a shield too. 14777To get better you must hold your axe further down. 14778What will that do? 14779You can reach further, swing with more power. Use the speed to hit more times. 14780I can show you a trick. 14781Anything that will help keep me alive. 14782You can knock your enemy s weapon away. 14783To do this you must stand close to him. Then you knock his weapon away and hit the enemy at same time. 14784A strong hand can still hold the flower... 14785Keep strong but guide your axe. 14786Strength alone is not enough. 14787If you hit, swing again. A fight is not just one swing. 14788Humans fight fast. Ogres fight strong. 14789When you fight against a human, you must shove their weapon aside, then you can hit them again. 14790You must be fast. Work to make more than one strike. Hitting twice is better than once. 14791You do not have an ogre s strength. 14792So you must use the axe to help you. You need a lot of room to hit really hard. 14793Take your axe. Use your whole body. Swing with all your strength. 14794Your strength will help you defeat your enemies. 14795Ogres fight with strength. Humans fight with skill. 14796So think as well as swing? 14797Yes. You can knock your enemy to the side with your axe. 14798Push them and you can hit them again. 14799Ready? To make full use of the staff, you can t just attack from the front. 14800Good opponents will just parry such blows and you will waste your energy. 14801So, attack from the side. That way you can surprise an opponent and get some extra strikes in. 14802So, attacking from the side is useful for surprise? 14803Yes, and you can use the momentum from your first blow to carry out a second, stronger lateral blow. 14804Ready? Right, if you re standing close to your opponent during a counter attack, you should try to hit him as well. 14805Might be a bit risky, but it could also help you end the fight faster. 14806Of course, that only works when your opponent is right in front of you - so you should use your counterattack as part of a combination. 14807Ready? You should know how to attack and parry. No point having a staff otherwise is there? 14808Parrying is one thing, but you can knock your opponent s weapon aside and hit him immediately. 14809That s called a counter attack. To get it right, watch your opponent closely. 14810If you hit them at the right moment, they ll stumble and you can attack again. 14811The staff is an elegant and a fast weapon, so people underestimate it. They think because it does not do as much damage as an axe that it is lacking. 14812Now, I will show you how to perform an attacking move that turns this poor staff into something more than it appears. 14813To manage this, you will have to put the strength of your whole body into a single blow. 14814This will increase your striking range and the harm you will deal to your opponent. The strength you use in this attack will knock an opponent s parry aside. 14815But keep distance between you and your opponent when you try this, or your opponent will have a chance to strike you. 14816To improve your skills with the staff further, change your stance. Hold your staff behind your body with one hand. 14817This will give your blows more momentum when you strike and you will do more damage. 14818Always turn an opponent s weakness to your strength. If their counterattack makes you stumble then counterattack them when they follow up. 14819This will not only foil their attack, but can throw your opponent off balance. Of course, to achieve this you must react at the right time. 14820You are an accomplished fighter. 14821But to achieve true mastery of your staff you must learn to see it as part of your body. 14822Only then will you be able to wield your staff from strike to strike without pause. 14823And how do I achieve this mastery? 14824Use every trick you can, practice all you have learned. If you focus on just one technique, you will fail. 14825Let us work on your counter attack. 14826If you hit harder with more strength, your opponent will stumble and you will be able to follow up with an even stronger blow. Work on your timing, polish your approach and this move can save your life. 14827You will have learned how to attack and to parry with your staff. 14828Attack is always the best form of defence, so, when you parry your opponent s attack, follow this move with an attack of your own. 14829This is a counter attack. 14830If you parry at the right moment, your opponent will be thrown off balance, they will stumble allowing you to attack. But to do this you must watch your opponent closely. 14831And if you are standing close to your opponent during a counter attack, you can also try to follow up with a second attacking move. 14832This move bears a certain risk, but if successful brings you one step closer to victory. 14833Remember though, that this manoeuvre only works when your opponent is right in front of you - so you should counter attack as part of a combination. 14834Watching you, I think you are now good enough to combine more attacks. 14835You can probably manage...to chain three blows at the moment. 14836But with practice you should be able to coordinate at least four. 14837With further practice someone of your talent could use lateral blows and work even more attacking moves together. 14838In order to make full use of your staff, you must improve your fighting technique. 14839Your approach has been to attack your opponents directly, from the front, am I right? In combat, politics, life, this allows good opponents to read you and counter your moves, so you waste your strength unnecessarily. 14840Instead you should look to attack not just from the front, but also from the side. That way you can surprise your opponent. 14841But is there a way I can chain my attacks together? 14842Yes, if you use the momentum from your first blow you can carry it through into a second, stronger lateral blow. 14843All right, attacking and parrying isn t the end to combat, it s the start. 14844When you fight, instead of parrying knock your opponent s weapon aside and prepare your own attack. 14845It s what we call counter attacking. To do it you must watch your opponent closely. 14846If you hit them at the right moment, they will start to stumble allowing you to attack again straight away. 14847You know how to counter attack? Well, if you re standing close to your opponent, you should try to hit them as well. 14848You risk opening yourself up, but if you can get this additional strike in you re one step closer to victory. 14849Of course, that only works when your opponent is right in front of you - so you use this counterattack as part of a combination. 14850You want to get better? Change your stance. Hold your staff with one hand behind your body. 14851Then when you strike your next blow you will have more momentum and you will do more damage. 14852You have to look after yourself in combat...If an opponent s counterattack makes you stumble, then perform a counterattack of your own to throw their attack off. 14853Of course, you have to react at the right time. So, stay sharp and watch their movements. 14854In order to make use of the full potential of your weapon, you must improve your fighting technique. 14855So far, you ve always attacked your opponent from directly in front. That will let good opponents parry your blows and you ll waste your strength. 14856Try attacking from the side. That way you can occasionally surprise an opponent. 14857And that works? 14858It will help and you can use the momentum from your first blow to carry out a second, stronger lateral blow. 14859Right, I think you are now good enough to work on combining attacks. 14860Someone with your skill could combine say three blows? 14861I think you re good enough to manage four, and with a bit of practice, you can use lateral blows to extend this even more. 14862If you keep training hard. 14863Kampfstarke 14864Do you want to be better or faster? 14865Both. 14866First, let s improve your speed. 14867You must be focused from the very beginning. Draw the crossbow and load the bolt smoothly, quickly and accurately. 14868Get good at this and you can up your rate of fire considerably. 14869All right, reloading. Learn to reload quickly - crossbows are not fast weapons to use. 14870With the next bolt already in your hand, you can load much faster. 14871Swing the crossbow into position smoothly, aim and fire. 14872Let s see. Crossbows are slow weapons, but the bolts are good against armour, or thick hide. 14873You hold a loaded crossbow firmly against your shoulder. 14874Aim by looking over the bolt. 14875Pull the trigger and hit the target. 14876Only fire when you re sure you ll hit. 14877And you can guess which bit of a target to aim at? 14878The head? 14879Exactly. Head shots are much more devastating than body shots. 14880When using the crossbow, look at nothing but the target. 14881You ll be able to aim very precisely this way. 14882Let s look at moving targets they re harder to hit, though. 14883The skill lies in aiming ahead of them. 14884How much ahead depends on how fast they re going. 14885It s something you just learn with practice. 14886Right, when aiming shoot at the enemy s most crucial or vulnerable points. 14887A single bolt can do vast damage if well aimed. 14888So it s not just about hitting the target. It s about hitting the right part. 14889You already know how to interrupt your opponent s attacks, right? 14890But I ll show you another trick. If you are very close to your opponent, you can often get another hit in. 14891That s especially worthwhile if you use these blows in your combinations. 14892You attack your opponent from the front, right? 14893You ll need to do more than that. 14894Such as what? 14895Try attacking from the side. Mix it up to surprise your opponent. And you can use the momentum of a lateral blow to carry out a second stroke. 14896Use your whole body and you ll do more damage. 14897Right. I m going to tell you how to counter-parry. 14898If you re taking flurries of blows, you need to knock your opponent s weapon aside. 14899Do this, he s unprotected, so you must attack. 14900It s not easy to do. You need a feel for the right moment to parry and attack. 14901Practise it and it ll help you. 14902But remember, it only works if you re being attacked. 14903And if your opponent tries to parry, you won t get a chance to do it. 14904Right, if you take the momentum for your blows from your whole body, you will be faster and have more power. 14905Use this power to combine your blows, too. 14906You mean I can perform a longer combination of blows? 14907Yes, exactly. 14908So far, your speed has got you through your fights, yeah? 14909But sometimes you just have to attack with all your strength. 14910You need a bit of distance from your opponent. Otherwise you won t have enough momentum. 14911Put all the power you have into one blow and move towards them. 14912Get it right and you can do a lot of damage, even knock aside your opponent s parry. 14913If you follow up immediately, he won t have a chance! 14914You should look to use heavier weapons. 14915Bastard swords are good, but the heavier weight means you ll need more speed in your weapon arm. 14916But bastard swords aren t all that different from regular swords. 14917And you can still use a shield with them as well. 14918Fighting with a sword. All right. 14919Grasp it firmly. Make sure you swing it from your arm, not your wrist. 14920To defend yourself, hold the blade at an angle so it covers your face and chest. 14921The period for which your opponent is frozen, and the damage which it does. Knowing these will allow you to plan your attacks, to know when to move and when best to unleash the spell s power on your enemies. 14922As your knowledge grows you will be able to cast spells faster with more power, and you will freeze your opponents for longer. 14923You will still need to time your attacks wisely. There is no point in growing in power if you then waste it in vain. Choose your moment. Make the most of your power. 14924The three powers of the Frost Crystal will increase one by one through your next lessons. Starting now with the effect of time and speed. These are your most important weapons in combat. 14925Yes, Master. 14926You see the power your experience and knowledge unlock. 14927Your skill will now allow you to hurl the fire faster, to use the Holy Flame to incinerate your enemies! 14928Learning never finishes. Once you have channelled your energy to create the fireball you can turn that fire into a blazing heat and burn your enemies to ashes! 14929It is time to enhance the properties of the fireball you cast. 14930If you concentrate your power, it will reach your target more quickly and cause more damage over a greater area. 14931Course. To start, nock the arrow on the bowstring, aim it, pull back and release. 14932Aim higher if you want to shoot further because the arrow will drop. 14933Course, it s worth having a practice. Try shooting something that s fixed, a tree or something. 14934Course, as you get better aim for the target s head, that s going to bring it down faster. 14935Every arrow you shoot is important. Even if you miss, you can use it to correct your aim. 14936If the arrow falls short, you have to aim higher. If it is too long, you have to aim lower. 14937Course, right, as you d guess, hitting moving targets is hard. 14938Watch the direction your target s going in. 14939Aim in front - where the target will be when the arrow gets there. 14940Practise and you ll get it. 14941Course accuracy s not everything. You need to be quick too. 14942As soon as you take a shot, smoothly reach for a new arrow and nock it without lowering the bow. 14943This ll make you quick. 14944Attacking an opponent one move at a time only extends the fight and gives you opponent more time to attack you. 14945Try and link your attacks, combine them. 14946A fighter of your skill should be able to deliver four blows in a row. 14947With practice, you can use lateral blows to extend your attack even more. 14948Combat is about anticipation and reaction. If an opponent s counterattack makes you stumble then perform a counterattack of your own. 14949Succeeding with this is all about timing. 14950You must improve your fighting technique. You must use the full potential of your weapon. 14951You attack opponents from in front, am I right? This allows opponents to parry your blows and you ll waste your strength. 14952Instead try attacking from the side. 14953So, I can surprise my opponent? 14954Yes, you can also use the momentum from your first blow to carry out a second, stronger lateral blow. 14955If you are standing close to your opponent during a counter attack, you should try to strike them. 14956That bears a certain risk, but if you succeed you are a step closer to victory. 14957Of course, that only works when your opponent is close and in front of you - so you should use your counterattack as part of a combination. 14958You have already learned how to attack and to parry. 14959But, if instead of simply parrying your opponent s attack, you knock his weapon aside then you open a window to attack yourself. 14960That is a counter attack. The most important thing here is to watch your opponent closely. 14961If you strike at the right moment, your opponent will be thrown off balance and you can attack again. 14962You should try to change your stance. If you hold your staff with one hand behind your body. 14963Then, when you strike, your next blow will have more momentum and will do more damage. 14964Do you know what a counter attack is? 14965When you parry and then attack? 14966Right! A counter attack means interrupting your opponent s attack. You ll need to get right up in his face. 14967So, you re practically standing on his feet. That way as you parry you can follow through and hit him. 14968But it only works when you are close enough to your opponent, so try to build the counterattack into your combinations. 14969Right. Time to show you another way to hold your axe. 14970You don t have to change much, just loosen your grip a little. 14971It means you ll need less strength to swing it. 14972And the weapon does the work for you. 14973That way, you can execute longer blow combinations. Handy, eh? 14974Now, to really get better, you have to be prepared to take the next step. 14975I m ready, that s why I m here. 14976Right - holding the weapon with one hand. It s tough, but you ve gotta let the weapon work for you. 14977Keep it moving and the weight of the weapon will do the rest. 14978That way, you can perform longer blow combinations and you ll have a free hand for a shield. Never a bad thing. 14979The axe is a heavy and slow weapon, which often means you re forced into the defensive. 14980No point in staying like that, so you ll have to learn how to knock your opponent s weapon aside so you can get back to attacking. 14981Knock their weapon aside, your opponent will falter and you can start your own attack. 14982Make sure you practice this, because judging the right moment for this counter attacking can be a fine art! 14983Right, this weapon s no hatchet. It s heavy. So, first you re gonna need a good stance. 14984Stand with your legs apart and hold the axe firmly. 14985Use the force of your blow to make the following blows even harder. 14986To defend yourself, pull the axe in front of your chest then you can deflect attacks. Can t yer? 14987Right, to make a stronger attack you have to put your whole weight into the blow. 14988Then, if you break bones with the impact, the fight s as good as yours! 14989But be careful. You need a lot of room for a blow like that. 14990So, make sure you aren t standing toe to toe with your opponent. 14991What if the blow gets parried? 14992Parried? You ll knock your opponent s weapon aside so hard he ll be luck if he can hang on to it! 14993And he ll be vulnerable - so seize the opportunity! 14994That s a formidable weapon you ve got there. People respect it. 14995Opponents ll be very wary at first, but after a few swings, they ll think they ve got the measure of you. So you ve got to learn to vary things a bit. 14996Try hitting them from the side as well as attacking front on. 14997Or you can use a combination of lateral blows to really take them apart! 14998How do I do that? 14999Simple. Use the momentum of the first blow to land a second lateral blow right after it. 15000You want to steal something from someone, distract them first. You know, talk to your mark.
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} rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3415.html
【登録タグ A-One I Rute TOHO EUROBEAT VOL.20 秘封ナイトメアダイアリー あき ナイトメアダイアリー 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/watch/
https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-joker-2019-full-online-movie-free-hq-for-putlocker.307122/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-the-addams-family-2019-full-online-movie-free-hq-for-putlocker.307124/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-maleficent-mistress-of-evil-2019-full-online-movie-free-hq-for-putlocker.307126/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-zombieland-double-tap-2019-full-online-movie-free-hq-for-putlocker.307127/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-terminator-dark-fate-2019-full-online-movie-free-hq-for-putlocker.307129/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-motherless-brooklyn-2019-full-online-movie-free-hq-for-putlocker.307131/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-harriet-2019-full-online-movie-free-hq-for-putlocker.307133/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-arctic-dogs-2019-full-online-movie-free-hq-for-putlocker.307135/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-doctor-sleep-2019-full-online-movie-free-hq-for-putlocker.307136/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-charlies-angels-2019-full-online-movie-free-hq-for-putlocker.307138/ https //gr.ign.com/forum/index.php?threads/123movies-hd-watch-frozen-2-2019-full-online-movie-free-hq-for-putlocker.307140/ https //mbokneanton.hatenablog.com/entry/2019/11/04/032154 http //www.kweeper.com/evialin/image/6440566 https //www.peeranswer.com/question/5dbf1b3c0ddf4893064aebf0 http //notes.io/7DgX https //ideone.com/2ZhnMJ https //www.nobedad.com/article/watch-online?c=5821592875 http //msnho.com/blog/nashali/watch-online http //vocal-buzz.ning.com/profiles/blogs/watch-online-904 http //www.onfeetnation.com/profiles/blogs/watch-online-5 https //thehiphophub.ning.com/profiles/blogs/watch-online-1 https //youbemom.com/forum/permalink/10293727/watch-online http //cryptoliveleak.org/watch-online/ https //vidodoo.com/article_read.php?a=19330 mode=preview https //www.deviantart.com/marvelfilm/journal/watch-online-819077740 https //mojekrpice.rs/forum/t/519778/watch-online https //works.bepress.com/natassha-wilona/4/ https //peopleinaction.com/community/topic/22125/watch-online https //android.gadgethacks.com/forum/watch-online-0211171/ https //www.gamespot.com/forums/offtopic-discussion-314159273/new-game-2019-from-movies-33472872/